August 2011

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Father Frank Browne and the Titanic

Leaning against the seawall beside the old White Star Line pier, a white fedora shading his sunburnt cheeks, is Michael Martin. Dr. Michael Martin (as of June), he tells me. We walk the pier together. Do you know of Father Frank Browne, says he. I do not. Ah, well. A Jesuit priest from Cork.

I walk on, head down, scuffing at the worn planks, knowing there’s more to the story but giving Michael Martin space in the breeze to fill it in as he wants.

Steerage passengers waiting to embark on tenders for the Titanic at White Star Wharf, Queenstown (Cobh). Photos by Father Frank Browne.

Curious story, says Michael Martin, stopping to wave at a Cobh fisherman walking up the beach with nets over his shoulder. His uncle was the Bishop of Cloyne. Rather fond of his young nephew. Encouraged his interest in photography by sending him all sorts of fancy cameras and such. Not the normal thing for a young noviate. Then one day in April 1912 he gets a most unusual present from the Bishop: a first-class ticket for the first legs of the maiden voyage of the Titanic, sailing from Southampton to Cherbourg and then on to what was then Queenstown and is now called Cobh. Right where we’re standing.

Michael Martin interrupts his tale to chat with the fisherman. What are you catching then? Not much of anything today. No matter. Lovely weather, after all. Isn’t it? But they say rain in the afternoon. Oh, well, that’s just to keep us from getting sunburnt, isn’t it.

We walk on. Michael Martin seems to have forgotten his story. I remind him: So this Father…?

Oh, yes. Father Browne. Well, he gets on board the Titanic and sails off to Cherbourg taking dozens of photographs—Captain Smith, the Marconi room, kids playing on the decks. That sort of thing. And at dinner, he’s seated at the table of an American millionaire who’s quite taken by the young Jesuit and offers to pay his way in first-class for the rest of the voyage to New York. Imagine that?

Michael Martin moves off down the pier. Starts talking about two red tugboats in the harbor. Damn this man. Why can’t he just finish his story? Making me beg for it.

Did he go then?

Who?

Father Browne, of course!

Father Browne's last view of the Titanic as she sailed from Queenstown.

Oh, Father Browne. Michael Martin takes off his fedora, studies the blue sky as if the answers might be printed in the clouds, returns the hat to his head. Well, here’s the thing, he says in a whisper, drawing close to me. He had to get permission from his Jesuit Superior, didn’t he? So he wired him and when the ship reached Queenstown there was a cable waiting for Father Browne.

What did it say for chrissakes?

Ah. Well. There were only four words in the cable.

And they were?

GET OFF THAT SHIP! Michael Martin laughs. Funniest thing he’s ever heard. So funny he repeats it: GET OFF THAT SHIP! A bit tetchy, wouldn’t you say? But orders are orders. So Father Browne gets off the Titanic in Cobh. Takes a few more photos of the ship as his tender transfers him to the pier where we’re now standing. Last man off. Ship sails off. Never to be seen by human eyes again. And Father Frank Browne has the only photos taken of the old girl sailing at sea. And they’re published on the front pages of newspapers all over the world. Imagine. And it’s only his cranky ol’ Jesuit superior that saved his life. Telling him to get off that ship. Off indeed. Off he got.

But there’s one final part of the story, Michael Martin says. Father Browne lived the good life of a Jesuit priest until dying in 1960. And his great collection of negatives lay forgotten for 25 years. At which point another Jesuit priest comes across a large metal trunk with thousands of negatives. Including those of the Titanic. And he passes them on to the features editor of the London Sunday Times who dubs them the photographic equivalent to the discovery of the Dead Sea Scrolls. Imagine that. Lost for 25 years.

Michael Martin takes off his fedora once again, scratches his sunburnt pate, shakes his head, replaces the hat and ambles on. Leaving me along on the pier to think of Father Frank Browne and the Titanic.

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The story of Annie Moore

Seagulls flapping in the breeze, crying. Good stiff wind. Cold enough to make me wish I’d dug out my jacket from the boot. Still, it’s bracing. Better than the stale moist air inside those gloomy Titanic rooms. Could hardly breathe in there. Just imagining the air in steerage on a ship like that. As it was going down. Worst way to drown, I should think. Trapped below deck, icy water rushing in. Must have been a lot of screaming. Last thing you’d hear. Cries of drowning men.

And here, looking out over the water is young Annie Moore and her two brothers. First immigrant to pass through newly-opened Ellis Island on January 1, 1892. Imagine a 14-year-old girl crossing the ocean with brothers only 11 and 7. Parents in New York already for several years. Annie and the boys left behind in Cork, waiting. Until a letter comes with money for passage. Just enough to crowd into steerage and spend 12 days making the crossing, seasick almost every day, scared out of her wits.

Sail pass the Statue of Liberty on New Year’s Day, 1892. Which just happens to be Annie’s 15th birthday. What was she thinking? Probably tough as nails by then. Had to be. Can’t spend almost two weeks in the hold of a ship with two boys to look after and not age quickly. A barge unloads them and shuttles them to the new landing place, Ellis Island. A ramp is lowered. And the first one down, tripping as she goes, is Miss Annie Moore. And there to meet her is an official with a bushy walrus mustache who hands her a $10 gold piece. What’s this for? she asks. For being first, says he. First what? The first immigrant to pass through Ellis Island.

What must she have thought? More money than she’d ever seen in her life, she tells a newsman. I’ll keep it forever as a memento, she says. But surely it was spent. No doubt she held out her palm to show her father, who was waiting for her and the boys, and she never saw it again. Can’t hold on to a gold piece like it was a ticket stub. Not in a poor Irish family with four children trying to make a go of it in New York. That gold coin was spent. No doubt.

And what of Annie? Married a German immigrant, of all things. A fish monger. And had eleven children with him, some of whom died before they could walk. And Annie died young herself of heart failure. Only fifty. Buried in Queens. Never did see Ireland again. Maybe that’s why they designed her sculpture here the way they did; with her gazing back towards Ireland. Forever gazing back.

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Cobh and the Titanic

Photo by David Lansing.

On the map (purchased in desperation at a gas station in some small country village miles away from where we thought we were) it looks like the anemic road from Midleton to Cobh should take no more than ten or fifteen minutes. But it’s three and then three-thirty and eventually four before Mr. Lynch make an illegal U-turn in front of the Mauretania bar and wedges our once unblemished rental (Mr. Lynch thinks the side-mirror that clipped another vehicle’s side-mirror can be easily repaired) into a just-vacated parking spot on the street.

By the time we find the Cobh Heritage Centre, where we were to meet Bernard and his group at three, it is quarter past four. They’re not here, I tell Mr. Lynch after having a look around. They’ve come and gone. We should make quick work of it, then.

Mr. Lynch is not so sure. Enquiries are made. We’ve been expecting you, says the stout woman reading a romance novel inside the ticket booth. You’re late. We are, we are. And what of the other group? Have they already gone through? Not at all. They’re late as well. Are they not with you? They’re not. We came separately.

Separate it is, then. Tickets are issued, brochures distributed, and then down a dark gangway to relive the Famine and Emigration (you know it’s serious when it’s capitalized) of the late 18th century. Dark inside, like the holds of the coffin ships, recreated here with dummy families sleeping on the floor and hunched over mannequins hurling their oats in tin buckets.

Then a cut-out lad in an Irish cap holding the Evening News: TITANIC DISASTER GREAT LOSS OF LIFE. For it was here (at what was then known as Queenstown) that the newly built luxury liner embarked upon her maiden voyage on April 11, 1912. “At 1:30pm an exchange of whistles indicated that the tenders’ business was complete and the Titanic weighed anchor to the strains of ‘Erin’s Lament’ and ‘A Nation Once Again’ played on the bagpipes by steerage passenger Eugene Daly. A total of 1,308 passengers were on board as they left Queenstown together with 898 crew members making a total of 2,206 souls on board as she embarked on her final journey.”

Mr. Lynch seems quite entranced by the photos and displays. I’ll just wait for you outside, by that little café, says I. Are you feeling all right? asks Mr. Lynch. No, I’m fine. Just need a little fresh air, I think. It’s close in here, isn’t it?

It is, says Mr. Lynch. Like the tight quarters of a ship.

I hurry out of the darkness, into the daylight where the salty breeze coming in from the bay smells sweetly of life.

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Getting out of Dublin

Castle ruins along the road to Cobh. Photo by David Lansing.

Should take no more than two, two-and-a-half hours to reach Cobh, says Bernard, handing me the keys to some late-model number with the steering wheel on the wrong side of the car. Not me, I tell him. I’m not driving. Give the keys to Mr. Lynch. This is his idea. I’m just along as navigator.

Have you a map? I ask the concierge. Where you off to? Cobh, I say. Disappears into a back office and comes back holding a wooden board with a coated map of Ireland on it. Have you no map you can give us? No, sorry, he says. Then he points out the thin red lines heading for Cork.

This will never do. What point in taking highways to Cork? What will we see on that route? Just gas stations and Supermacs selling cod burgers (that said, need to try one of those). No hurry, now. Only half past ten and no one expecting us in Cobh until three. Sure it’s worth a drive along the coast. Take the green roads, then. The wee roads through towns like Baltinglass and Bunclody.

Car even has a GPS device. No idea how to use it. Nor Mr. Lynch. Bernard fiddles with the thing, programs it to get us out of Dublin and as far as Waterford. Off we go.

Turn left here, says the wench stuck to the shield as we leave the Conrad, and so Mr. Lynch does as instructed, which upsets the woman. Recalculating route, says she a bit snippily. While we tango through four lanes of traffic. Turn right now, says she. Shiite, says Mr. Lynch, making a left. She said right, I tell him. I’m left-handed, says Mr. Lynch. As if that has anything to do with it.

Recalculating route, says the wench in a pinched voice. She’s a bit bitchy this morning, isn’t she, says Mr. Lynch. Turn right now, says she, as Mr. Lynch continues straight ahead. Grabs the little black box and yanks it off the windshield, throws it in the back seat. Now we’re done for. All I’ve got for directions is the little tourist map of Dublin which doesn’t even take us past the Grand Canal. Just look for signs, says Mr. Lynch. What signs? Any signs. There’s one, I say. Belfast, Sligo, Rosslare. Wrong direction, says Mr. Lynch. Well, I say, at least we know not to go that way. That’s a start.

Round abouts, honking cars, near collisions, spinning around once, twice, searching for something that says Cork or even Limerick. I’m getting seasick. Take this first exit, I say. Now. Mr. Lynch yanks the silver bug across two inside lanes and like a roulette ball we are released down a chute taking us where? Don’t know. But not towards Belfast, Sligo, or Rosslare.

We’ll die well before Cobh, I say. Mr. Lynch, without taking his eyes off the road, snorts. If you don’t like my drivin’, you can go ask me arse, he says.

I laugh. He laughs. We’re almost out of Dublin. Only god knows where we’re headed and sure he doesn’t care. And we don’t either.

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Harpist at the Guinness Storehouse. Photos by David Lansing.

We’re late for the Guinness tour but no matter. As Mr. Lynch says, he’s gone through so many brewery tours it would be quicker for him to make the beer than learn about how it’s done. So pop up the stairs to the Perfect Pint Bar. Greeted by music from a pale, freckled woman in a green silk dress strumming a harp. And waiters offering up the dark stout in champagne flutes. What’s this then? asks Mr. Lynch. A Black Velvet says the young waiter.

Oh shiite, says Mr. Lynch. I can’t drink this stuff. Can I get just a regular pint?

I take Mr. Lynch’s flute as well as another for me. Champagne and Guinness. Better than it sounds. After a second sip, quite nice actually. Goes down easy. Lovely view of Dublin from here. Or it would be if it weren’t raining again, gray puffy clouds sitting atop the Wicklow Mountains like Irish caps. Mountains, indeed. Hills we’d call them back home. Small hills.

Finish my two drinks and then make off with another as we’re herded like well-dressed sheep up the escalator to the Gravity Bar at the top of the building. Panoramic 360 degree views of what? Gray neighborhoods beneath us. Can’t even make out the Liffey though it must be close enough that if you hurled a pint glass from here it would end with a splash in the river. Spires of a church rise up out of the muck. Is that Christ Church then?

The summer's gone and all the flowers are dying for the Irish Sopranos. Photo by David Lansing.

Salad served as a short, stout man holding a pint in his right hand makes a speech about tourism. Something about something about something. Hurry up, man, and make your toast. The gals are waiting. The three of them. The Irish Sopranos, standing patiently on a low stage in front of the window that should be showing the Wicklow Mountains in the background if it wasn’t so gray out.

They’ve sung at Carnegie Hall, says the red-nosed man, and are Irish treasures—Wendy, Kay, and Deirdre. And wouldn’t you know it? Their first song is Danny Boy. I groan. Mr. Lynch gives me a sharp kick to the shin. I hate this song, I whisper. Doesn’t matter, says Mr. Lynch. Mind your manners.

Right. So here we go. Oh, Danny Boy. Pipes calling, valleys hushed. ‘Tis you, ‘tis you. Every woman in the place misty eyed and crying. And I just want to hurl. Thunderous applause. Standing ovation. Can’t beat that Danny Boy. And as Wendy and Kay and Deirdre launch into cockles and mussels, alive, alive-O, I slip away from the table and back down to the Perfect Pint to have a quiet drink far from the ghostly cries of sweet Molly Malone.

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