Istanbul

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You can get anything you want at Istanbul's Grand Bazaar. Photo by David Lansing.

Sidar took the Romanians and me to the Grand Bazaar this weekend. Maybe it was because it was hot or I just didn’t like being jostled by the crowds, but for whatever reason, I just wasn’t in to it. The Romanians wanted to look for cheap bracelets and evil eyes. I just wanted to sit down with a cup of cay and mindlessly watch the world go by.

We entered through the Carsikapi Gate and walked past dozens of gold and silver jewelry stores. There were so many of them, all selling basically the same stuff. I asked Sidar how you would pick out a vendor if you wanted to buy, for instance, a gold bracelet. He shrugged. “It’s hard,” he admitted. “If you live here, maybe you know the family that owns one of the shops or maybe you’ve just always gone to the same place and have a relationship with the owner. But if you are just a tourist, you just have to get lucky.”

All the touts begging me to “Come in, please…have a look” were giving me a headache. There were shops selling silk slippers and leather jackets, hand-painted ceramic plates and copper pots, purses, wallets, belts, luggage, leather jackets, amber prayer beads, icons of the Virgin Mary, mother-of-pearl hairbrushes, old coins, soccer jerseys, red fezes, turbans, kilim bags, purple chandeliers, wool sweaters, socks, and lots and lots of “genuine fake items,” from handbag knock-offs to fake silk pashminas. My favorite: the store selling “one size fits all” belly-dancing outfits.

By now Sidar and I had lost the Romanians in some jewelry store. “So, what do you think?” Sidar asked me.

“I think I need some tea.”

“Follow me, please. I know a place.”

Sidar always knows a place. Thank god.

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Orhan Pamuk in front of his Museum of Innocence. Photo by Rafik Anadol.

I spent most of yesterday wandering around Cukurcuma, the “SoHo of Istanbul,” looking for The Museum of Innocence, a vanity project from the Turkish Nobel laureate Orhan Pamuk. Just before coming to Istanbul I’d read that the museum, which had been more than a decade in the making, had finally opened. So what is the Museum of Innocence? From a May 17 story in the Christian Science Monitor: “Housed in a wine-red building constructed in 1897, the museum takes its name from Mr. Pamuk’s 2008 novel of the same name and is a tribute to the “profane magic” of Turkish everydayness, featuring 83 display cases (one for each chapter of the book) filled with ordinary objects drawn from the novel.

“The first display greeting the visitor to the museum is the “cigarette wall,” which showcases 4,213 cigarettes smoked by Fusun, one of the characters in Pamuk’s novel. The exhibit is accompanied by a film reel, shot by Pamuk himself, showing a woman’s hand movements as she smokes and taps her cigarette, and beneath each cigarette stub is a handwritten note about the day in which it was stolen; “Earthquake,” reads one such inscription.”

I brought Pamuk’s novel with me to Istanbul but haven’t gotten around to it yet. I’m still finishing up his 2003 memoir, Istanbul: Memories and the City. Which, frankly, I’m not crazy about. The guy is not only haughty but narcissistic (the New York Times article notes that, “In person [Mr. Pamuk] gives off an aura of the kind of elitism that can come with a privileged upbringing and a successful literary career.”).

Here’s something interesting, though. In his memoir, Pamuk talks about how he envies certain European writers who wisely made money by turning their homes into private museums as write-offs. And according to the Christian Science Monitor article, Pamuk bought the building that he has turned into a museum about 12 years ago—just as he was beginning to write the novel that would share it’s name. Guess he’s learned something from those old European writers.

One final thought: Although he now owns the building, which, as I said, is in probably the trendiest neighborhood in Istanbul, he complains about how the museum cost him about what he received for the Nobel—roughly $1.5 million. Since I’m sure he didn’t spend a lot buying those 4,213 cigarette butts (or other junk items like an old tricycle or a bug spray pump), most of the money must have gone into buying and refurbishing the classic building itself. And since, as one of the news articles noted, “The teller’s credit-card swipe works with uncharacteristic speed and the bookshop by the exit contains only Mr. Pamuk’s books…” I don’t think we need to feel too sorry for the author just yet.

By the way, I never did find the museum. But I did find a very stylish restaurant and bar, Cezayir, that serves a wonderful fava dish flavored with anise liquor.

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Tomato time in Turkey

Making Turkish salca (tomato puree).

It’s summertime here in Istanbul which means tomatoes. In everything from coban salatsi (shepherd’s salad) to plum tomato and almond jam

In fact, tomatoes are coming so fast and furiously to every market that people have begun making salca, a traditional Turkish tomato puree that is added to just about every savory dish imaginable.

To make salca, you take tomatoes—usually plum tomatoes—and ferment them in large plastic sacks or tubs, usually up on your roof. Then it’s rubbed through a sieve, mixed with garlic and salt, poured in to shallow troughs or tubs and put back on the roof where it is stirred every now and again until the liquid thickens and the water evaporates.

For those without the tomatoes (or space) to make their own salca, you can buy little plastic bags of ready-made salca in just about every market in Istanbul this time of year.

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A group of Muslim school girls sit in the shadows at Hagia Sophia. Photo by David Lansing.

I woke up early this morning ruminating on a conversation I had at dinner last night with Sidar’s Romanian friend, Delia. Delia, who is 32, and her friend Gemina are film makers. Delia asked me at dinner if I knew what I was going to write about Istanbul and I told her the truth: I didn’t have a clue.

I explained to her that, for me, I need to feel something emotional about a place before the story comes to me. It’s not just about going and looking. Something visceral needs to happen. Almost like getting your religion.

And then we made small talk about the day and the things we had seen and enjoyed, in particular, about our visit to Hagia Sophia, and I realized that we had had very different reactions to this beautiful place. We talked about how we felt looking up at the cherubim on the dome and Delia said this had made her feel hopeful because, for her, it showed the tolerance between the Christian and Muslim cultures.

“Looking up at the cherub, it made me feel happy,” she said. “It made me feel good about the future here.”

I had just the opposite reaction. It made me think of the tens of thousands of people that have died because of those icons in the church/mosque and as I was walking around the Hagia Sophia the single word that kept cropping up in my mind was “intolerance.”

So—hope or hopelessness; tolerance or intolerance; light or dark.

And I guess, for me, this is what Istanbul is all about. It’s a city of opposites; it is Asia and it is Europe; it is the beginning of one thing and the end of another; it is the future and it is the past.

And so you go to the Hagia Sophia and look up at the domed ceiling and see four images in the corners, one of which has been restored to show a stern angel’s face looking down on you and the others which are still covered up by Islamic medallions. Light or dark? Tolerance or intolerance? This is what I’m thinking about this morning.

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Does this look like a Turk to you?

Here’s something I just found out today: Do you know why we call that big bird we roast at Thanksgiving a “turkey?” Because Turks introduced Europeans to the bird, so that’s what they called them. You never knew that, right?

So what do you think a turkey (the bird) is called in Turkey? It’s called a “hindi.” Which is the Turkish word for something from India, a confusion of India and the Indies (i.e., the Americas) which is where the big blustery bird actually heralds from.

Crazy, right?

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