Lanai

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Suzie’s bichon frisés and slippahs

The Blue Ginger, a simple one-room café where customers help themselves to the coffee brewing on a side table, is jammed this morning. In the back I spot Derwin at a table with a couple of older guys and a woman about his age. He puts a hand up and beckons me over, introducing me to the old guys and the woman who turns out to be his sister, Nani.

Blue Ginger photo by David Lansing

Blue Ginger photo by David Lansing

 

“Dis guy want to hear stories of old Lanai,” Derwin tells his sister. “Maybe you talk story.”

Nani laughs and says she’s been trying to hear those stories herself for a good number of years. Before they’re all forgotten. She says that she was one of those kids that got off the island the minute she graduated from high school. “And I swore I’d never come back, but then my kapuna auntie said, ‘It’s time.’ And when I came back, she started telling me the old stories. But the she died. And I’ve been asking all the old aunties on the island for those stories ever since.”

While Nani and I talked story, Darwin and some of the older guys talked quietly about more pressing issues. Like the free upcoming community lunch, for seniors, later in the day in Dole Park. Derwin told the men they still needed a baker, a butcher, and yes, a candlestick maker.

After breakfast, I walked around Lanai City. There’s not much to it. You walk down one side of Dole Park, shaded by the ubiquitous Cook Island pines, past a bank, two small grocery stores, two cafes—including Café 565 which, in addition to serving their special Korean and katsu chicken daily, according to a sign, also has holiday pupuus—and the world famous Lanai jail, which is really just a modified shipping container with a locked door on it that hasn’t been opened in this century.

I wandered in to the Dis ‘n’ Dat store, mostly because they had this terrific tin hula girl, decorated in Christmas lights, stuck to a palm tree outside the store. Sitting in a green wicker chair on the porch was a middle-aged woman with red glasses and a big floppy hat playing the ukulele. At her feet were two bichon frisés, curly white-haired lap dogs that were so quiet and perfectly groomed that I thought at first they were stuffed animals.

Dis 'n' Dat Shop photo by Macduff Everton

Dis ‘n’ Dat Shop photo by Macduff Everton

The woman playing the ukulele was Suzie Osman. She and her husband, Barry, own Dis ‘n’ Dat. They are originally from New York (and still have very heavy New Yorker accents) where they used to own a toy business (“I’ve always liked sparkly, happy stuff,” Barry said).

Suzie told me she was just messing around on the ukulele. “I taught myself to play it when we moved here nine years ago,” she said. Then she gave me a big smile and said, “I also do the hula.”

Barry said the store has been here since 1961 and it’s always been called Dis ‘n’ Dat even when it was the post office. “I was going to call it something different,” Barry said, “but the locals told me it would be bad luck to change the name. Besides, everyone in town likes the sign. So we just left it the way it was.”

I had a hard time walking around the shop. There are like a million wind chimes hanging from the ceiling and you have to be a midget or something not to get smacked in the forehead all the time (Suzie and Barry are almost as squat as their two bichons). Suzie designs some of the jewelry in the store, including these Hawaiian slippah pendants, which are very cool. There are pink slippahs and slippahs with hibiscus on them and even slippahs in an American flag motif. I liked all of them—the keychains and necklaces, earring and bracelets. So I bought like a dozen of them. I have no idea who I’m going to give them to. Maybe I’ll keep them for myself. And start a collection. Of Hawaiian slippah jewelry. 

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A serene morning. Macduff, thankfully, got up at the crack of dawn to go search for petroglyphs. Alone. I take my coffee on the veranda of the Lodge watching as fast-moving clouds and fog sweep across the lush horse pasture across the road and wrap themselves in the branches of the surrounding Cook Island pines. Fat drops of water drip from the outstretched branches of the elegant looking trees. A hundred years ago, a New Zealander, George Munro, planted thousands of pines on the island after observing their ability to attract moisture from clouds passing through their boughs. Today these trees rise up over a hundred feet, all over the island, and continue to wring moisture out of the atmosphere on the rather dry isle (Maui and Molokai, nine miles away, steal most of the rain from the tradewinds before they reach Lanai).

photo by David Lansing

photo by David Lansing

I take my coffee and tiptoe across the damp lawn to an old island church being repainted a grassy green color by several workers. Also sipping coffee and leaning on an old pickup truck, idly watching the workers, is an island game warden, Derwin Kwon. We chat a bit and Derwin tells me he grew up just down the road from here in one of the white houses near a big jacaranda tree. I ask him what it was like back then.

“Well, for one thing, there were no tourists on the island when I grew up,” he says. “There were kids and outsiders who came over during the summer to pick pineapple, but that was our only interaction with people off the island.”

         As we sip our coffee and watch the men painting the church, I tell him I’m interested in stories about old Lanai, what it was like to live in such a secluded place, with just a single 10-room hotel on the whole island, while right across the channel, on Maui, all these big resorts were going up. What was it like, I ask, when Lanai produced 70% of the world’s pineapples?

         Well, it was both better…and worse, he says. “The work was hard and there wasn’t much future in it. If you were a kid growing up, you couldn’t wait to get off the island. But then again, we were a real community. When the whistle blew in the morning, everyone went to work. And when the whistle blew again, everyone went to lunch. At the end of the day, everyone got off at the same time. So you ended up doing things together, hanging out with your friends and family. Now we all have different schedules. The only time I see my friends is in the morning when we all hang out at the Blue Ginger to talk story.”

         What’s that like? I ask him.

         “Come find out for yourself,” he says. “We meet around 6 every morning.”

         Well, that’s a little early for me. But it beats getting lost on dirt roads looking for petroglyphs. So I tell Derwin to look for me tomorrow morning. I just hope I can drag my sorry ass out of bed before dawn. 

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Although the grand opening of The Sweetest Days Ice Cream and Candy Shoppe was supposed to happen at 11 on Saturday, it was still shuttered well past noon. Still, there were 40 or 50 people milling around, waiting for the new store to open. When I asked a young woman bouncing a toddler on her knee what the problem was, she said the island priest hadn’t shown up yet. “And nobody get nothin’ until da priest come.”

Evidently on Lanai you don’t open a new business until it’s officially blessed. By someone, whether he be Catholic, Buddhist, Baptist, or a just a god ol’fashioned Hawaiian kahuna.

This is Lanai culture.

photo by David Lansing

photo by David Lansing

Meanwhile, to keep the kids entertained, a clown on stilts made balloon animals. Finally, around one or so, the priest showed up. A Hawaiian choir sang “Amazing Grace” (not sure what the connection is to ice cream, but it sounded lovely). The priest tossed a little holy water around the doors of the shop and then Betty Lou and Emmanuel Dugay, the store’s nervous owners, cut the ribbon and Andy Mirafuentes, a local fisherman, currently unemployed, quickly stepped inside and ordered a chocolate-covered frozen banana, thus becoming the first customer in the much-anticipated ice cream store in Lanai City. As he held up the prized frozen banana in front of him, dozens of locals snapped his photo, yelling “Good going, Andy!”

photo by Macduff Everton

photo by Macduff Everton

Then the choir burst into a boisterous rendition of “Joy to the World.”

Meanwhile, I, too, ordered a chocolate-covered frozen banana, thus becoming the ice cream shop’s second customer, right behind Andy Mirafuentes, thinking, as I took a bite of the creamy, chocolaty treat hand-dipped by Betty Lou, accompanied by a choir singing a traditional Christmas song, that I had finally found it: Hawaiian culture. Right here in downtown Lanai City.

And I’ll tell you what. It tasted pretty damn sweet.

Aloha. 

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Shipwreck beach and the mad dog

It’s late in the day and I’m sick and tired of going down dead-end roads and hiking through prickly scrub over treacherous volcanic rock looking for petroglyphs, but Macduff is adamant we keep looking. So we bump and grind our way along the island’s northeast coast until the road (if you can call it that) ends at an old fisherman’s hut where a faded sign in front of a palm-frond fence says DANGER: Be-Aware of the Visayan Mad Dog.”

photos by David Lansing

photos by David Lansing

“There’s your Hawaiian culture right there,” Macduff says, pointing at the sign.

I have no idea what a Visayan mad dog is (is that a breed?) but no matter; we ignore the sign and pass by the falling-down shack. Tradewinds, roaring down the Kolohi channel between here and Molokai, howl like goblins along the beach. A spindly tree, stripped of all vegetation, leans like a drunk away from the ocean. Waves roll across a rusty WWII-era Liberty ship wrecked on the reef just off-shore (and hence, I suppose, the reason for why this area is called Shipwreck Beach). A trail leads up a bumpy hill through scrubby gullies pockmarked with large volcanic rocks. Somewhere up here, supposedly, are petroglyphs.

Macduff and I trudge through prickly vegetation in flip-flops for half an hour in the diminishing light as the wind slams us around, searching for the elusive ancient markings but find only bleached animal bones (cattle? deer? dog?), scurrying geckos, and a nervous chukar or two which, when startled, run through the bush like children hiding from bogeymen.

Our search for petroglyphs is fruitless. As darkness falls, we hurry down the hill and past the home of the Visayan mad dog. In the twilight, we bounce like pinballs in the Jeep down the washed-out road, headed for the comfort of the Lodge and a different sort of Shipwreck—this one drinkable.

I may have two this evening. My idea of Hawaiian culture. 

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Searching for Hawaiian culture

God help us, we’re back to driving on roads marked NOT ACCESSIBLE on the map Shantell gave us at the rental car agency. This is our third day searching for Hawaiian petroglyphs, which we’ve yet to find.

“Why do you want to shoot petroglyphs anyway?” I ask Macduff. “They’re just ancient graffiti left by a bored teenager tired of hunting for wild pigs.”

“Culture!” shouts Macduff. “I thought we were searching for Hawaiian culture.”

A front wheel sinks into a gully in the road and the bottom of the Jeep scrapes something hard. There’s a thack! as something flies up and strikes the undercarriage, all of which Macduff ignores.

“Not that sort of culture,” I say.

“Then what?”

“I don’t know. The old time-y Hawaiian stuff. Pineapples and authentic hula, that sort of thing.”

  

“Authentic hula? Hah! That’s your idea of Hawaiian culture?”

“You know what I mean.”

“Haven’t a clue.”

Actually, I haven’t a clue either. When I decided to come to Lanai, the smallest of Hawaii’s inhabited islands, to search for Polynesian culture, I was thinking about Hawaii the way it supposedly was fifty years ago, when, on their honeymoon, my parents, Tom and Joan, took the SS Lurline from Los Angeles to Honolulu and spent a glorious week at the Royal Hawaiian on Waikiki, the “Pink Palace of the Pacific.” I was thinking about the stories my parents told me as a child of “old Hawaii”—the sacred chants, story-telling dances, the odd tales of fire gods and shark kings—before it became the 50th state in 1959 and the stylish Matson Line cruise, which my parents took, was replaced by middle–class throngs flying over on Pam-Am and TWA.

It reminds me of how every year, on their anniversary, my mom would bake a pineapple upside-down cake, just like they had at the Royal Hawaiian, and my dad would put on an album of old slack key guitar music and make a batch of pina coladas, and when they were looped enough, my mom would giggle her way through the hula before collapsing on my dad’s lap. That, to me, as a kid growing up in Southern California, was what Hawaiian culture was all about.

But, of course, that’s crazy. Like saying French culture is madeleine cookies and Maurice Chevalier crooning “Thank ‘eaven for lit-el girls.” Or Vegas culture is Liberace in a rhinestone-studded sequin suit and a fake pirate ship shooting off a canon in a wading-pool-deep lagoon. Okay, maybe that is Vegas culture, but certainly there has to be more to Hawaii than petroglyphs and pineapples, right?

But what?

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