October 2011

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Waimea Plantation Cottages

My bungalow at the Waimea Plantation Cottages. Photo by David Lansing.

Arrived at the Lihue airport on Kauai around two in the afternoon yesterday but by the time I got my rental car (not an easy process) and wormed my way through the construction traffic along the Kaumualii Highway, it was after five when I checked in at the Waimea Plantation Cottages on the western coast.

I’ve heard about these cottages for as long as I’ve been coming to Hawaii and have passed them many a time while driving along the highway up to Polihale Beach (where, they say, the spirits of the ancient Hawaiians used to depart the island) but for some reason I’ve never stayed here. The last time I was on Kauai, a couple of years ago, there were rumors that the cottages were in trouble financially and the whole thing might be sold and turned into condos or something. Which would have been a shame since the property is so historic.

It was originally owned by a Norwegian, Hans Peter Faye, who came to Kauai in the 1800s and owned a sugar plantation. He also started up a copra plantation and the cottages are spread out over nearly 30 acres of the old coconut groves. Some of the 48 cottages here were part of the original Waimea Sugar camp houses built between 1900 and 1920 and others were moved here from other sugar plantations and date from between 1918 to 1938.

I’m in cottage 84. I have no idea if this was one of the original cottages on the plantation or one of the later ones moved here (it would be kind of cool if they’d put up a little plaque or something in each cottage telling you its individual history). The cottages have wi-fi and they talk of getting flat-paneled TVs soon but, frankly, I wish they wouldn’t. This isn’t mid-century modern, it’s early-century Hawaiian. It’s like the sort of place you wish your grandparents had owned when you were a kid so you could come visit them in the summer and chase the chickens in the yard and soak in the claw-foot bathtub and ask Gram where she got all the sea shells that fill the clear glass lamp vase.

You’d take a nap in the hammock under the giant banyon tree and invent silly swim contests in the pool where you had to dive through an inner tube, swim the length of the pool, crawl out, and run around the chaise lounges where the adults were napping before making a final dash towards the coconut tree on the beach and touching it first. At least that’s what I’d do.

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A last supper in Dublin

Last evening in Dublin. Mr. Lynch and I have a drink at the hotel and then walk down to a restaurant I’d noticed last night along St. Andrew’s Street called Salamanca. A tapas joint. You’d think for my last evening in Ireland I’d want lamb’s liver with bacon or a nice lamb stew but already I’m thinking of moving on and so it’s time for something different. Something spicy and exotic.

I joke around with our waitress as we order a jug of their house sangria but she’s either in a crabby mood this evening or just way too busy with other tables to be enjoying my humor. Maybe both. Don’t really blame her although it is a bit more fun when you can joke around with the wait staff. Oh well.

Mr. Lynch must be feeling famished. He orders a bowl of olives, calamari fried in chili batter, chorizo sautéed in red wine with peppers, and a chicken dish. Rather than a bunch of small plates, I’m thinking something a little heartier like paella. So I order the gambas al pil. But when it comes, it’s not paella at all. Just prawns sautéed in olive oil with garlic and chili. Not at all what I ordered. Our waitress comes over and I tell her she’s brought me the wrong dish. I ordered the shrimp paella, I tell her. Her face gets red. She puts one hand on her hip and with the other points at the menu she’s holding. You said you were thinking of the paella but then you ordered the gambas al pil, she says, a bit of anger in her voice. I asked you twice if that’s what you wanted and you said you did. It’s not a shrimp paella. We don’t do a shrimp paella. The gambas al pil is just listed below the paellas because those are the house specialties.

What can I say? She’s right, I’m sure. And not the sort of waitress who feels obligated to give the customer what he wants. Even if he inadvertently ordered incorrectly. Well, never mind. Mr. Lynch has enough food for the two of us.

Afterwards, not wanting to go back to the hotel, we wander around the neighborhood looking for a good bar. Every place seems too crowded or too seedy or just not what we’re looking for. Let’s go back to that bar we were at when we first came to Dublin, says Mr. Lynch. Do you even know where it is? I say. He doesn’t even answer. Just starts marching up the street. Gawd it’s lovely out. Still a hint of light in the sky. A bit of a chill. Up Grafton which is just chock-a-block with strollers. Down a little side street and there it is. Some anonymous little pub. A clean, well-lighted place. We order a couple of Power’s, neat, and stand outside the bar watching the people laughing and telling stories and just generally having a good time. Something the Irish know how to do well. One more round of whiskey; the sky darkens, the night gets a little colder, and, since neither of us bothered with a jacket, we agree it’s time to head back. The evening is over. As is our stay in Ireland.

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The Fag on the Crag

A sneering Oscar Wilde in Merrion Square. Photo by David Lansing.

If Oscar Wilde were in his prime today, I wonder what he’d be known for. Certainly not his poetry (we don’t read poetry anymore, do we). And to be honest with you, his plays and prose weren’t much although they stirred up the literary crowd back in his day. (Speaking of his day, one of the reasons I’ve been thinking about Oscar Wilde is that his birthdate, October 16, is just around the corner; he was born in 1854 and died ridiculously young on November 30, 1900.)

The thing Oscar was best known for, I suppose, is his witticisms. All the Irish seem to have a way with words; Oscar was better than most. “America is the only country that went from barbarism to decadence without civilization in between.” That’s one of his bon mots (or, more properly, bons mots). If he were around today, I imagine he’d amend that to, “America is the only country that went from barbarism to decadence and back to barbarism without civilization in between.”

“Patriotism is the virtue of the vicious.” That’s a good one. That’s something Sarah Palin should have painted on the side of her “Going Rogue” bus.

Oscar, who was married and had two children who he doted on, was also a sodomite. At least that’s what he was convicted of in 1895, not long after he sued his lover’s father, the Marquess of Queensberry, for leaving his calling card at Wilde’s club, the Albermarle, inscribed, “For Oscar Wilde, posing sodomite.” Oscar sued for libel, lost, and then was arrested by the Crown. His mother advised him to take a boat to France to avoid the trial, but Oscar wrote: “The train has gone. It’s too late.” He was convicted of homosexual acts and sentenced to prison in London. By the time he was released, in May 1897, he was both broke and broken. A pauper, he moved to Paris and died of cerebral meningitis—probably as a result of syphilis. He’s buried in the wonderful Père Lachaise Cemetery, not far from Jim Morrison.

But a spirited tribute to Oscar Wilde lounges on a boulder in Merrion Square, across from where he resided with his family from 1855 to 1876. Dubliners have a tendency to give nicknames to these tributes (the Molly Malone statue is known as “The Tart with the Cart” and James Joyce is called “The Prick with the Stick”) so it’s not too surprising that the Irish refer to the slouching Oscar as “The Fag on the Crag.” Or, if you prefer, “The Queer with the Leer.”

I think Oscar wouldn’t have minded that too much. As he said, “Always forgive your enemies; nothing annoys them so much.”

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Looking for an old love

A tourist poses with Molly Malone. Photo by David Lansing.

It’s odd. I’ve still a few days left in Ireland but I can feel the trip running down. Yesterday after we’d gotten Danny-Boy back to the Cartron Farm and headed for Dublin, I was so tired that I immediately fell asleep in the car. It’s not so much that I didn’t sleep much in the gypsy caravan (although I didn’t) as it is just the emotional letdown that always comes at the end of a trip for me. Even a trip that isn’t quite over.

I woke up just in time to see that we were heading for the city center so I grabbed a map to see if I could direct Mr. Lynch to our hotel, the Brooks on Drury Street. I found it on the map and figured out the best route to get there but even with all that preparation we got lost again. Maybe that’s just our karma in Ireland: to be forever lost.

I was looking for the Grand Canal so as we could swing by St. Stephen’s Green (familiar turf to both of us) but next thing you know we’ve crossed the River Liffey and we’re on the wrong side of Temple Bar. Ah, well.

Still a few hours of late summer light left by the time we checked in to our rooms and so it wouldn’t do to just stay in the hotel until dinner. I wanted to have a look around. Soak up the last of Dublin. Down to St. Andrew Street I strolled, mobbed by the locals just getting off work and meeting friends at the pubs and bars along Grafton Street. Something buoyant about a city like this that is so alive. You don’t know whether you want to find a bar and order a glass of wine while observing the comings and goings all around you or just jump in to the tide of pedestrian traffic and go with the flow.

What I did was follow the crowds around Trinity College looking for an old love of mine. Miss Molly Malone. Bit of a tart, that one, but a sweet girl. Hadn’t bothered to say hello when I first came through Dublin so thought it best to look her up, now that my time here was short. And there she was. A fine looking woman. Her hair done up atop her head and that lovely blousy gown showing off her best assets. Forever pushing her cart of cockles and mussels up Grafton Street. And gawd the crowd she draws. All gawking at the wench. Mostly women. Climbing up on the pedestal to put their arms around her, have their pictures taken. Show the folks back home: Look, that’s me there with Molly Malone. Who has the better rack do you think?

Lovely. Absolutely lovely.

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A carrot or a stick

Mr. Lynch leading Danny-Boy. Photo by David Lansing.

That Danny-Boy is a clever horse, says Mr. Lynch. We have been stopped in the middle of the road for a good fifteen minutes waiting for Danny to continue on. All our cajoling has been for naught. Even when Mr. Lynch got off the caravan and tried to pull Danny forward with the bridle the horse wouldn’t budge. So Mr. Lynch climbed back atop the caravan and we just sat there, waiting.

The thing is we had decided to take a different route back to Ann Gardiner’s farm and Danny didn’t like it. This is not the way you go, he would have said if he were more like Mr. Ed and less like Mr. Danny. I know the way and you don’t and I won’t be going this way. Go on your own if you want, but I won’t be joining you.

The spot Danny chose to stop was in front of a country house where two young children were playing in the yard while a couple of dogs ran around yapping and the mudder hung laundry on the line. One of the little ones, a girl about six or seven, came over and leaned against the fence. What’s the matter with your horse? she asked. There’s nothing wrong with him, I said, more than a bit embarrassed. He just doesn’t want to move forward. The little girl turned around and yelled, The man’s horse won’t move, Mummy.

The woman put down her basket of laundry and came over to the fence. Her son, who looked a bit younger than the girl, came over as well. Do you want me to help you move him? she asked.

I’ll tell you, it’s a very embarrassing thing to be sitting up high on a gypsy caravan with the reins in your hand and a big brute of a beast like Danny-Boy in front of you and you can’t make him move so a woman doing laundry has to interrupt her day to give you a hand.

That would be very nice of you, I said.

The woman went back to the house and came out holding a couple of carrots. She crossed under the fence and went up to Danny and talked to him in a low voice while stroking his neck. He seemed to quite like it (of course, if she’d climbed up on the gypsy caravan and talked to me in a bedroom voice while stroking my neck I probably would have liked it as well). Then she held out one of the carrots in front of Danny and made a little clicking noise. Danny immediately began to move. She grabbed his bridle and walked up the lane with us a bit, her two children giggling and squealing as they danced alongside the caravan.

When we got to the top of the rise she said, Do you think you can handle him now?

I think so, I said. Thanks very much.

Oh, it’s no bother, said the woman. You’re not the first to come by driving a caravan that had no clue how to make a horse do what a horse is supposed to do.

I suppose not, I said. She gave us a wave and then, grabbing the hands of her children, ran down the hill back towards the home. Not a minute later, Danny stopped dead in the road again. Fortunately, this time we were out of sight of the woman and her children. Mr. Lynch climbed down with his walking stick. Look here, he said sternly to Danny, holding up the staff. We know you don’t like going this way but we don’t really care. We’re not turning around and going on the other road. So you might as well get used to it. Otherwise it will be a long day for all of us.

And with that, Danny started up again.

Well done, I said to Mr. Lynch when he climbed back up on the caravan.

Well, said Mr. Lynch, quite pleased with himself, sometimes you use the carrot and sometimes you use the stick.

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