France

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Mont Saint Michel

A chapel along the beach at Mont St. Michel. Photos by Katie Botkin.

A Letter from Katie Botkin in France:

I’ve been wanting to go to Mont Saint Michel for about seven years, based on the ethereal photos I’d seen of the place. So I convince Sophie and her boyfriend to drive down with me, and we make the trek of about 2.5 hours from Rouen. When we’re a few miles out, we start seeing parking lots, which the French call les parkings. That’s my first clue that this might be more touristy than I’d envisioned. We can’t even get close — we have to stop the car and resign ourselves to walking the last couple of kilometers, although it turns out there’s a bus as we get closer.

Sophie exploring.

We get up into the city, if a little place run entirely on tourism can properly be called a city, and I start feeling claustrophobic. There’s just too many people with cameras in the narrow passageways. Sophie sees a tiny street of stairs, and dodges into it, running upwards until she emerges into a less crowded place.

Over the next three hours, we trip up and down stairs, exploring every corner — especially Sophie, la sale gosse, who disappears at one point and emerges from a thicket of trees with an unripe fig — and then walk outside, all the way around this city on a hill surrounded by wet sand. Sophie gets her flip-flops, which she bought in Idaho, fantastically muddy.

I’m starving by this time, so we walk back to the car and have leftovers from breakfast as a picnic in the grass: large, dusky grapes, pain au chocolate, French bread with cheese. The pain au chocolate is still good, crispy-soft and decadent without being too sweet.

I tell Sophie, I have dreams about pain au chocolate like this. And I’m not even exaggerating. I’m sure they think I’m crazy to be having pain au chocolate for dinner, but faut que j’en profite. I cram the last bit into my mouth and sigh with weariness and contentment.

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French again

Rouen, France. Photo by Katie Botkin.

A Letter from Katie Botkin in France:

Several years ago, I lived in upper Normandy, teaching English, and now I am going back. After I land in Paris, the relief of being able to understand the language is acute. No longer do I have to stand straining to listen in to the conversations, picking out a word here and there. I can make my way by asking for directions and because I know the general layout of the metro. I can saunter up to the counter at the St. Lazare station and glibly ask for a ticket to Rouen. And then ask when the next train is, and which platform it’s going to be on. I love being able to speak the language. Madly. The words surge in my blood, the flash of idiom and lilt and what is culturally possible. This carries me along, in a prickly, but beloved, fog, though the hour is late and I am famished.

I get to Rouen around 11 p.m. and walk the streets I once knew well, to rue Guy de Maupassant, and ring the bell. Sophie, who spent a month with my family in Idaho, lives here.

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The cheese mule

The next morning, as we are checking out of the Hôtel Lutétia, a messenger arrives from Madame Cantin’s fromagerie. He has a very large bundle for me. Two vacuum-packed parcels wrapped in tissue paper. About 10 kilos of unpasteurized cheeses, including all four rounds of the Epoisses Madame Cantin had in her shop.

I also have Camembert de Normandie, Langres, Vacherin Mont d’Or, and a dozen different fresh chèvres, some covered in ash, others rippling with a pale blue mold, all completely and totally illegal to bring back to the States.

My wife looks at me with alarm. “What’s that smell?” she says as I hand her the packages and ask her to carry them for me.

“It’s nothing,” I tell her. “Just a little cheese.”

“Is it okay to bring back?”

I do my little French snort. “Of course,” I lie. “It’s nothing. Rien, rien, rien.” And then, as the taxi pulls away from the hotel, the precious bundles of cheese sitting prettily on her lap, I give her a kiss on the cheek. “Trust me, darling.”

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The high priestess of cheese

Madame Cantin is a high priestess in the religion of raw-milk cheeses, and she works hard to convert me, putting out a large tray of different raw cow and goat-milk cheeses, any one of which would be illegal to sell in the United States.

Seeing my trepidation, she says, “How can you be afraid to eat my cheese but not be afraid to eat a McDonald’s hamburger?”

It is a question for which I have no answer.

I sample her cheeses. They are magnificent. She sees the look in my eyes and knows: I am a believer. Praise the lowly goat!

Now—and only now—will she sell me the outrageously expensive Epoisses.

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Stinky cheese

I tell Marie-Anne Cantin that the cheese is a gift for a friend in California and ask if she can wrap it up for me. She asks when I am leaving. Tomorrow, I tell her. “Then I will deliver it to your hotel. What time do you leave?”

When I ask her why I can’t just take it with me, she sighs, looks at me sadly, and says it is simply not possible. That is when she delivers the bombshell: “You know, of course, this cheese is illegal in your country,” she says. No, I tell her. I did not know.

And then she sees the problem: I am a dupe. A rube. A cheese mule, as it were. I have been asked to carry nine ounces of an illegal substance, something I know nothing about. So her mission is clear. If I am to go through with this, first I must learn what I’m dealing with. Before she will sell me the Epoisses, she insists on giving me a crash course in French cheesemaking (most of which I have already revealed to you).

Madame Cantin puts on a smart laboratory smock and leads me down some dark stairs at the rear of her shop to the cellar. Here she has two dark rooms full of stinky raw-milk cheeses. One room for goat cheese, another room for cow cheese. We enter the goat cheese room. There are hundreds—no, thousands—of little white slabs of cheese on trays stacked from floor to ceiling being aged to perfection. The Fort Knox of chèvre. For the next hour or so, I learn everything there is to know about curds and whey. I learn about rennet and mold and brine. I learn about washed-rind cheeses, like Epoisses, which, as they ripen, are brushed with marc, a French alcohol. But mostly I learn about the joys of making cheese from unpasteurized milk.

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