April 2013

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Hula Girl and the princess

Last night Macduff and I were moaning about the lack of culture on the island when the cocktail waitress at the Lodge bar overheard us and said if we wanted to find authentic Hawaiian culture, we should head down to the Hale Ahe Ahe Lounge at the Manele Bay Resort. There’s a torch lighting ceremony at dusk, she said, and, even better, live authentic Hawaiian music in the lounge. So lickety-split we fired down Manele Road, through the heart of what used to be the pineapple plantation.

We got to the resort, overlooking the jaw-dropping beauty of Hulopoe Bay, half an hour or so before sundown. In the lobby, a guy was softly playing the ukulele while a small, dark-haired beauty did a slow, graceful hula. I think Macduff was smitten. By the girl, not the ukulele player.

photo by Macduff Everton

photo by Macduff Everton

“The light!” he whispered to me. “The light!”

Yes, of course. The goddamn light. He wanted to shoot her. Not in the lobby, of course. That would be too easy. No, he wanted to take her across the bay to the volcanic rock outcropping known as Pu’u Pehe—Sweetheart Rock.

Arrangements (involving a wad of bills) were quickly made with the manager of the resort. The three of us then hopped back into the Jeep, abandoning Ukulele Boy, and headed across the bay at breakneck speed in a race against the setting sun.

Once there, our Hula Girl swayed like a palm tree in the sea breeze above the craggy red rocks of the shoreline, telling us the ancient story of Sweetheart Rock while Macduff began shooting her with the sunset as backdrop.

photo by David Lansing

photo by David Lansing

There was a ravishing young princess from Maui, she told us, who was captured by a fine-looking warrior from Lanai. He brought her back to the island to be his wife, but like a lot of guys, he was worried she might have eyes for someone else so he did a really stupid thing: He hid her in a sea cave. Right here at the bottom of the cliff we were standing on. Well, one day the warrior was off doing whatever warriors do and a storm came up. Big wind, big waves. The young princess drowns. Having made a mess of things, the warrior takes her body, climbs the steep rocks where we were standing, and buries her in a tomb. Then, sensibly enough, he jumped off the cliff to his death. End of story.

“But there really is no tomb, right?” Macduff said. “They never found any bones or anything up there, did they?”

“That’s because,” says our Hula Girl, “the gods hid her body.”

“Or maybe the gods brought her and her boyfriend back to life,” I said, “and they moved to a different part of the island. Maybe they’re the ones that painted all the petroglyphs we can’t find. Maybe that’s why we can’t find them. They’re like the bones of the princess.”

Hula Girl smiled at me. “I like that story,” she said. “You must be part Hawaiian.”

If I’m not, perhaps I could work on it.

 

photo by Macduff Everton

photo by Macduff Everton

 

 

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Sex in a pineapple field

This morning there was an attractive middle-aged woman sitting behind a table in the lobby of the Lodge at Koele selling jewelry that she makes. Her name was Susan Hunter. There were only a few people in the lobby and she seemed kind of bored so I went over with my coffee and chatted with her. In addition to selling jewelry a few days a week, she and her husband, Michael, run a B&B on the island oddly named Dreams Come True. She said she and Michael came to Lanai from Sri Lanka almost 25 years ago.

photo by Macduff Everton

photo by Macduff Everton

“Back then, the smell of sweet pineapple was everywhere. When it was in season, it perfumed the air.”

She told the story, which I’d heard before, of how, in the late ‘80s, Dole began to phase out pineapple production because they couldn’t compete with pineapples coming from places like the Philippines.

“By 1994, all the pineapple fields on the island were gone.” Not that she thinks that’s necessarily a bad think. “But it wasn’t all good, either,” she said, echoing Derwin’s comments about plantation life being harsh. Still, Susan thinks Lanai is the last great bastion of the aloha spirit. “The peace and quiet and energy here is extraordinary,” she said as she idly fingered a red coral necklace around her throat. “The town—Lanai City—is tiny. And in five minutes, you can be in the outdoors, snorkeling, hiking, hunting.” She smiled at me and, with a mischievous gleam in her eye added, “And where else in Hawaii can you drive a few miles out of town and make love in the middle of what used to be a pineapple field?”

Well, I can’t honestly answer that. But I must admit it’s got me to thinking.

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The Gift:I

I’m midway through Lewis Hyde’s fascinating book, The Gift. If you haven’t read it, here’s a synopsis from the back cover: “The Gift is a brilliant defense of the value of creativity and its importance in a culture increasingly governed by money and overrun with commodities.”

And from Zadie Smith: “A manifesto of sorts for anyone who makes art and cares for it.”

I don’t know everyone who follows this blog, but I know a lot of you. And I don’t think it’s an exaggeration to say that you’ve all given me some unexpected gift, expecting nothing in return, that has moved me and changed the way I’ve thought about the world. And that gift has stayed with me until a time has come when I’ve had the opportunity to play it forward and hand the gift off to someone else. I’m not talking about physical things here; I’m talking about something much more subtle. A spirit, if you will.

I want to pull a quote out of the book that is from Allen Ginsberg. It sums up how I feel about writing (particularly my own personal style). And it gets to this idea of the creation of art as being a gift that is both received (from god knows where) and then passed on (to those who feel changed from art):

“The parts that embarrass you the most are usually the most interesting poetically, are usually the most naked of all, the rawest, the goofiest, the strangest and most eccentric and at the same time, most representative, most universal…That was something I learned from Jack Kerouac, which was that spontaneous writing could be embarrassing…The cure for that is to write things down which you will not publish and which you won’t show people. To write secretly…so you can actually be free to say anything you want…

“It means abandoning being a poet, abandoning your careerism, abandoning even the idea of writing any poetry, really abandoning, giving up as hopeless—abandoning the possibility of really expressing yourself to the nations of the world. Abandoning the idea of being a prophet with honor and dignity, and abandoning the glory of poetry and just settling down in the muck of your own mind…You really have to make a resolution just to write for yourself…, in the sense of not writing to impress yourself, but just writing what your self is saying.”

 

I don’t think I always accomplish that. Frankly, I seldom accomplish it. But I know when I do. I know what Ginsberg is saying. And this forum allows me to try harder to write “so you can actually be free to say anything you want,” which, as he says, is always the most interesting and the most universal of writing.

So that’s my gift to those who read me: to be as honest as I can in my writing to give you a universal sense of the world and a lens for trying to understand it.

And here’s the gift I would like in return: If you feel that an observation I make informs you or a description entertains you, pass it on. Send an e-mail to five friends you think might also get something out of it. Play it forward. And let’s see how long it takes to circle the world and get back to me. 

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Suzie’s bichon frisés and slippahs

The Blue Ginger, a simple one-room café where customers help themselves to the coffee brewing on a side table, is jammed this morning. In the back I spot Derwin at a table with a couple of older guys and a woman about his age. He puts a hand up and beckons me over, introducing me to the old guys and the woman who turns out to be his sister, Nani.

Blue Ginger photo by David Lansing

Blue Ginger photo by David Lansing

 

“Dis guy want to hear stories of old Lanai,” Derwin tells his sister. “Maybe you talk story.”

Nani laughs and says she’s been trying to hear those stories herself for a good number of years. Before they’re all forgotten. She says that she was one of those kids that got off the island the minute she graduated from high school. “And I swore I’d never come back, but then my kapuna auntie said, ‘It’s time.’ And when I came back, she started telling me the old stories. But the she died. And I’ve been asking all the old aunties on the island for those stories ever since.”

While Nani and I talked story, Darwin and some of the older guys talked quietly about more pressing issues. Like the free upcoming community lunch, for seniors, later in the day in Dole Park. Derwin told the men they still needed a baker, a butcher, and yes, a candlestick maker.

After breakfast, I walked around Lanai City. There’s not much to it. You walk down one side of Dole Park, shaded by the ubiquitous Cook Island pines, past a bank, two small grocery stores, two cafes—including Café 565 which, in addition to serving their special Korean and katsu chicken daily, according to a sign, also has holiday pupuus—and the world famous Lanai jail, which is really just a modified shipping container with a locked door on it that hasn’t been opened in this century.

I wandered in to the Dis ‘n’ Dat store, mostly because they had this terrific tin hula girl, decorated in Christmas lights, stuck to a palm tree outside the store. Sitting in a green wicker chair on the porch was a middle-aged woman with red glasses and a big floppy hat playing the ukulele. At her feet were two bichon frisés, curly white-haired lap dogs that were so quiet and perfectly groomed that I thought at first they were stuffed animals.

Dis 'n' Dat Shop photo by Macduff Everton

Dis ‘n’ Dat Shop photo by Macduff Everton

The woman playing the ukulele was Suzie Osman. She and her husband, Barry, own Dis ‘n’ Dat. They are originally from New York (and still have very heavy New Yorker accents) where they used to own a toy business (“I’ve always liked sparkly, happy stuff,” Barry said).

Suzie told me she was just messing around on the ukulele. “I taught myself to play it when we moved here nine years ago,” she said. Then she gave me a big smile and said, “I also do the hula.”

Barry said the store has been here since 1961 and it’s always been called Dis ‘n’ Dat even when it was the post office. “I was going to call it something different,” Barry said, “but the locals told me it would be bad luck to change the name. Besides, everyone in town likes the sign. So we just left it the way it was.”

I had a hard time walking around the shop. There are like a million wind chimes hanging from the ceiling and you have to be a midget or something not to get smacked in the forehead all the time (Suzie and Barry are almost as squat as their two bichons). Suzie designs some of the jewelry in the store, including these Hawaiian slippah pendants, which are very cool. There are pink slippahs and slippahs with hibiscus on them and even slippahs in an American flag motif. I liked all of them—the keychains and necklaces, earring and bracelets. So I bought like a dozen of them. I have no idea who I’m going to give them to. Maybe I’ll keep them for myself. And start a collection. Of Hawaiian slippah jewelry. 

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A serene morning. Macduff, thankfully, got up at the crack of dawn to go search for petroglyphs. Alone. I take my coffee on the veranda of the Lodge watching as fast-moving clouds and fog sweep across the lush horse pasture across the road and wrap themselves in the branches of the surrounding Cook Island pines. Fat drops of water drip from the outstretched branches of the elegant looking trees. A hundred years ago, a New Zealander, George Munro, planted thousands of pines on the island after observing their ability to attract moisture from clouds passing through their boughs. Today these trees rise up over a hundred feet, all over the island, and continue to wring moisture out of the atmosphere on the rather dry isle (Maui and Molokai, nine miles away, steal most of the rain from the tradewinds before they reach Lanai).

photo by David Lansing

photo by David Lansing

I take my coffee and tiptoe across the damp lawn to an old island church being repainted a grassy green color by several workers. Also sipping coffee and leaning on an old pickup truck, idly watching the workers, is an island game warden, Derwin Kwon. We chat a bit and Derwin tells me he grew up just down the road from here in one of the white houses near a big jacaranda tree. I ask him what it was like back then.

“Well, for one thing, there were no tourists on the island when I grew up,” he says. “There were kids and outsiders who came over during the summer to pick pineapple, but that was our only interaction with people off the island.”

         As we sip our coffee and watch the men painting the church, I tell him I’m interested in stories about old Lanai, what it was like to live in such a secluded place, with just a single 10-room hotel on the whole island, while right across the channel, on Maui, all these big resorts were going up. What was it like, I ask, when Lanai produced 70% of the world’s pineapples?

         Well, it was both better…and worse, he says. “The work was hard and there wasn’t much future in it. If you were a kid growing up, you couldn’t wait to get off the island. But then again, we were a real community. When the whistle blew in the morning, everyone went to work. And when the whistle blew again, everyone went to lunch. At the end of the day, everyone got off at the same time. So you ended up doing things together, hanging out with your friends and family. Now we all have different schedules. The only time I see my friends is in the morning when we all hang out at the Blue Ginger to talk story.”

         What’s that like? I ask him.

         “Come find out for yourself,” he says. “We meet around 6 every morning.”

         Well, that’s a little early for me. But it beats getting lost on dirt roads looking for petroglyphs. So I tell Derwin to look for me tomorrow morning. I just hope I can drag my sorry ass out of bed before dawn. 

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