France

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Sardines with a snarl

I’m a bit of a Francophile but let’s face it: the French are surly. Which is not to say they’re rude, though they may be that too. But their lips curl into a natural snarl. Even the women. Okay, particularly the women.

You walk around the harbor of St. Martin looking for a little seaside café for lunch, some place where you can sit for a couple of hours just watching all the bicyclists pass by the waterfront like schools of fish, finally settling on Le Serghi which is small, but not too small, out of the main hub-bub but still close enough that you don’t feel like you’re missing anything.

Le Serghi, St. Martin de Re

You order a dozen oysters, the grilled sardines, and a half-bottle of rose and you’re thinking life is pretty damn fine, but then, as she grabs the menu, the waitress arches her eyebrows at you and—there it is!—the snarling French lips.

Is it what I ordered or just my pronunciation? Or both? Though it doesn’t really matter because I’ll tell you what: I’m not really offended. In fact, I think it’s kind of sexy.

Pédale!” I snarl back, dismissing her with a sweep of my hand (now we’re flirting). She makes a little clicking noise with her tongue and darts away.

Later, as I’m eating my sardines, I catch her staring at me as she leans against the restaurant, smoking a cigarette. I’ll tell you something else: I hate smokers with a passion. But if I were French, I think I’d smoke. Maybe that’s how they keep their snarls in place—smoking those hideous Gitanes.

Le Chat Botte restaurant

Although the restaurant is only half full, I have no reservation and, at 8:45 pm, have to sweet talk first the young hostess and then her mistress, Madame Marie Odile, who gets tired of listening to my sad story about not eating all day and finally puts her hand up to my face, entreating me to be quiet, winks, and then leads me by the hand to a small table on the patio near a very green and peaceful garden. Madame Odile blushes when I kiss her hand and tell her she’s just saved my life.

First things first, I tell her: wine.

Un verre?”

Une bouteille.”

She hands me the wine book and it takes me less than a minute to pick out a Tavel rose. In the front of the wine list is a quote from Salvador Dali: “Qui sait de’guster ne boit plus jamais de vin mais goute des secrets.”

Okay, sure.

Appropriately, the menu here is mostly poissons: sole meuniere, turbot, dorado, bar. I start with a dozen local oysters, served on a bed of seaweed, that are so sweet and briny that you wonder if Madame sent someone down to the shore after I ordered to pluck them out of the bay. I also get the dos de Cabillaud per sille et moutarde au jus de viande—on Madame’s recommendation—plus a plate of cheese and coffee. For 32 euros, which seems awfully damn reasonable to me. Oh! And on the table they have a large wooden tub with a wooden spoon for dipping into the famous Île de Ré fleur de sel, as thick and grainy as a snowcone but with a taste so sweet I sprinkle it on my buttered roll and lick it off like ice cream.

All around me are the most adorable French families, on their August seaside vacations, the women in polka dot silk dresses, with sad eyes and wry smiles that make me think of Juliette Binoche, who was on the cover of the Air France in-flight magazine. Their daughters, hair pulled back in sleek ponytails, wear white dresses to contrast with their chestnut-colored skin and have pouts on their bored faces that are, nonetheless, enchanting.

The old men, unlike old men in the States, look stylish, with Cary Grant smiles and navy blue sweaters tied around their shoulders.

When they roll the cheese cart out, it’s like a surprise guest at the MTV awards, all shrouded and with a long, noisy introduction. The linen is pulled back dramatically and then there they are, all the glistening cheeses that everyone, including me, oohs and ahhs about as they make their selection.

The oysters were stunning. But the local chevre—oh my god! Salty, soft, tactile, buttery, raw, intense. It’s like sex. The first time with somebody.

                                                                                                               photo by David Lansing

Madame comes over and pours the last of the Tavel into my glass. “Well?” she says with a smile. I am so happy I have no words for her (or perhaps the Tavel has gone to my head). All I can do is grin and shake my head in wonder. Madame understands perfectly.

Next time, she says, reservations will not be necessary for Monsieur at Le Chat Botte.

I’m at the car-rental counter inside the Bordeaux airport, pondering a map of France. Feeling a bit groggy, I nonetheless notice that my destination—a small island somewhere off the western coast of mainland France called Île de Ré—doesn’t exist. At least, not on this map. There’s the obvious brown thing, France, and the blue thing to the left, which must be the Atlantic Ocean, but nothing in between. No little obvious speck to suggest an isle. Is Île de Ré some sort of oceanic Oz?

Excusez-moi, s’il vous plaît,” I say to the perky car-rental gal whose name tag, I swear to God, says Glenda. “How do I get to Île de Ré ?”

The petite French people behind the counter giggle at this question, but Glenda only smiles and says, “Why that’s simple. Just follow the road to Paris.”

“Follow the road to Paris?”

“Yes, follow the road to Paris.”

Shall we all chime in now?

So off I go to…the road to Paris. There are no lions and tigers and bears, but there are swaying fields of gigantic sunflowers, a frightening thunderstorm and a forest of confusing road signs pointing thither and yon that only leads me in circles. Five hours into a journey that Glenda assured me would take no more than three, I finally find the yellow brick road: a swooping, nearly two-mile-long bridge connecting the port city of La Rochelle, on the west coast of the mainland, to Île de Ré .

The sun is just beginning to set and the bridge sparkles, disappearing into a haze at the other end, appearing to drop precipitously down into the sea. Is there really land on the other side? As I cross the bridge in my cool little Citroën, hurtling through puffy, dark clouds, I feel as if I am falling through the sky. A swirling American plummeting toward a magical French isle.

Listen, I don’t like little yappy dogs, and I’m not from Kansas. I’ve always lived near the ocean, but I seldom swim in it. The sea both mesmerizes and terrifies me. When I am in it, I am always aware of the enormity of the unknown beneath me and the downward pull. Being in the ocean reminds me all too well that I am little more than a stressed, frantic sardine who spends most of his time darting in circles with no clear destination in mind. I worry that, sooner or later, I will grow tired of all this movement and slip beneath a wave. In short, I sometimes feel like a drowning man.

I am never completely satisfied when I travel and my friends say, What is it you want? Here’s what I want: I want to be somewhere like Île de Ré long enough that I not only know how to properly say huîtres without embarrassing myself but know precisely who, on the island, sells the best. I want to know when market day is in every village and be on good enough terms with the fish monger that she holds the best hommard back, knowing I will ask for it. I want the waiter at my favorite café to greet me warmly when I show up on a busy mid-August evening and to pull a table in off the street and have it set, even though he has been telling everyone else for an hour that the restaurant is complet.

I want to know the difference between saucisson noix and saucisson noisettes. In short, I don’t want to go to the aquarium and lean against the glass, staring at the fascinating fish that are so close but so inaccessible. I want to immerse myself in the tank. I want to dive in and joint them. Despite my fear of water.

Is that too much to ask?

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Almondine the salt farmer

There is not much to see at the salt museum, housed in an old farmhouse on the edge of Loix. Actually, it looks more like a small classroom where students have set up their science exhibits. A few old photos, rusty tools, and modest displays showing the process for farming salt. All in all it takes no more than 10 minutes to go through the whole thing.

But there is a salt pond behind the museum where I sat on the bank, watching a young woman named Almondine pull a wooden rake through the shallow water, bringing the gray salt from the floor of the pond to the berm where she carefully piled it into two-foot-high pyramids to dry.

photo by David Lansing

photo by David Lansing

 

Almondine is from Paris and has a degree in psychology so I asked her why she did this work on this little island. “I like being out here in the marshes,” she said. “It is very beautiful and quiet.”

And it was. Just the cries of gulls overhead and the soft sound of the wind rustling the dead stalks of wild mustard along the banks. Because the salt ponds are all in protected habitats, there is a lot of wildlife out here if you take the time to notice. More than 300 species of birds in fact, like the egret standing stoically just yards away from where Almondine worked.

We walked to the lowest pond where a thin crust of very fine salt had formed on the surface. This was the fleur de sel—flower of salt—which you can only get when the weather is hot and windy and the salt doesn’t sink but floats on top of the pond, giving it a naturally white color and a delicate taste. So delicate you can, as I did, taste it straight from the marsh.

“What does it taste like?” Almondine asked me.

“Like life,” I said.

She smiled. ”Oui, comme la vie. Très bon.”

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A cruise on the Seine

Cruise on the Seine in Paris

Photo by Katie Botkin.

A Letter from Katie Botkin in France:

In Paris, I’m attending Localization World, which is basically concerned with how to make money in other languages, or at least other cultures. Part of the backstage production involves how to get attendees from the conference venue to our cruise for dinner. We’re paying nearly 100 euros for this dinner cruise on Le Paquebot, supposedly the biggest ship on the Seine, so we’re expecting good service.

There are busses all arranged, and I go down and find them outside the Palais des Congres without too much trouble. So far, so good. I jump in. It’s egregiously hot inside, and the Italian man across from me starts to complain. I run to the front of the bus and ask the driver to turn the air on. He obliges, and we’re off.

We pass the Arc de Triomphe, and make our way to the Eiffel tower. We descend to a small quay and the driver stops. Everyone gets out. Unfortunately, where there should be a luxurious dinner boat, there is nothing. Everyone stands around waiting for something to happen. I go off to the nearest boat to see if maybe they’ve forgotten to put out the welcome sign for us, but it’s locked. By the time I get back, someone has figured out that we’re on the wrong quay. The bus driver is attempting to explain this in English, but it isn’t working very well. I step in, and he switches to French, pointing down to where the boat is actually waiting. I can’t go there easily in a bus, he tells me, but it’s a three-minute walk, just on the other side of the Parisian miniature of the Statue of Liberty.

So I lead the crowd to the boat, where there’s a whole committee standing with plastered-on smiles and a strained look in their eye. We’re the first bus to make it to the destination, which is not a promising sign.

We wait for awhile, and others trickle in, some on foot, some by way of the busses. Apparently, their busses got lost as well, but the drivers were able to work it out to close proximity. Soon, there is only one bus missing. Someone checks Twitter. There’s a tweet from a passenger: the bus has gotten stopped by the police because the driver was talking on his cell phone trying to work out where exactly the quay was. At this point, a group of passengers decided to take matters into their own hands, got off the bus in the middle of traffic, and started walking. In the wrong direction.

Chastised by the police, but duly notified of where to go, the last bus driver escorts his remaining passengers to the boat. They get out. The welcome committee waits for the last twenty people or so, nervously checking the time. The boat is almost two hours behind schedule. It starts to rain. Ten more minutes, they say. We’re only waiting ten more minutes.

The last twenty appear down the alleyway, dressed for dinner in their heels and ruffles. They approach, clop-clop-clop, and march down the gangplank, plunk-plunk-plunk. They are hungry, as is everyone else, but dinner hasn’t been served yet, because the boat hasn’t left.

When it is served, it’s a bit sparse, although it’s tasty. We float past Notre Dame, we float under the Pont Neuf, we have prolonged views of the glittering Eiffel tower. I decide that the price of entry must have been for the experience. Paris by night isn’t bad, even in the rain.

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