Honolulu

You are currently browsing articles tagged Honolulu.

The remarkable Aunty Betty

So yesterday I met Uncle Joe, the five-foot-tall kahuna who leads these ridiculous ghost tours around the island. Today I met Aunty Betty, a kupuna. What’s the difference between a kahuna and a kupuna, you ask? Good question. As far as I can tell, a kahuna is someone who thinks he knows everything and a kupuna is someone who actually does (example: George Bush was a kahuna; Barack Obama is a kupuna).

I’m joking. Sort of. Actually, a kahuna is like a Hawaiian priest and a kupuna is an elder, someone who has been around awhile and is wise. Like 81-year-old Aunty Betty who was sitting in a rocking chair in the lobby of the Hyatt Regency Waikiki when I went down there this afternoon to ask the concierge where I might find some good poke nearby.

Aunty Betty was showing a girl of about eight or nine, a guest, how to string plumeria for a head wreath while nearby a couple of other aunties were giving hula lessons to some of the other guests.

photos by David Lansing

photos by David Lansing

As I was passing by this mini-Polynesian performance—thinking, frankly, How tacky is this? They’ve got the locals hanging out in the lobby teaching guests how to hula and make leis—Aunty Betty got up out of her rocker to give me a hug and a kiss on the cheek. Seeing the surprised look on my face, she said, “I hope you’re not offended—we hug and kiss a lot in Hawaii.”

Offended, Aunty? Offended? Hell no I’m not offended. Just, you know, not used to person-to-person contact between total strangers.

Anyway, Aunty patted the bench beside her rocker, inviting me to sit, and we had a nice little chat. “I’m a hiapo,” she told me. “The first born of a first born of a first born.”

When Aunty Betty was growing up on the island, back in the 30s, she went to a Kamehameha school—Hawaiians only (there are three Kamehame schools on the islands: one in Kea’au, on the Big Island, one in Pukalani, Maui, and another in Honolulu).

The remarkable Aunty Betty Kawohiokalani

The remarkable Aunty Betty Kawohiokalani

“I was very fortunate to go there,” Aunty Betty told me. “Even so, they still wanted us to be haole. They would say, ‘You’re going to grow up to be industrious Hawaiians.’ Which was their way of saying, ‘You have to be haole and not Hawaiian.’ So we were never allowed to speak Hawaiian or participate in Hawaiian culture. Even at home, only my mother and father spoke Hawaiian. It was forbidden to us kids.”

Nevertheless, Aunty Betty remembered the old Hawaiian ways and when she retired as a schoolteacher some 25 years ago, she began speaking Hawaiian and learning about her lost culture. It all came back.

“We, as a people, are like the coconut tree,” Aunty Betty told me. “We bend in the wind but we never break.”

Something to ponder in the current economy, don’t you think? 

Tags: , , ,

Uncle Joe and the Night Marchers

Uncle Joe, who is almost five-feet tall and has a graying ponytail, is all worked up. He’s a Hawaiian priest, a kahuna, and when he picks up a small group of us around 9 o’clock in front of the Hilton Hawaiian Village Resort, he turns around in the driver’s seat and says, “We all one big ohana now so if any one in da family not feel good around spirits, I no want you to go. I really no want you to go.”

photos courtesy of Oahu Ghost Tours

photos courtesy of Oahu Ghost Tours

Uncle Joe is not only a kahuna and keyboard player in a band but also a tour leader for Oahu Ghost Tours. (From their brochure: “Catching a ghost on film isn’t as hard as you think! A camera is an effective tool to use to get hard evidence that ghosts do exist. One thing to remember though: ghosts most often appear as orbs, balls of lights, or mist. Don’t get discouraged if you don’t get a human-like form in your pictures. The orbs are just as good.”)

Back in the day, they probably would have called Uncle Joe a Menehune, one the mythical little people of Hawaii—sort of like leprechauns—who live in the forests and liked to roam around at night causing mischief.

Our first stop tonight is the turnoff leading to the Pali Valley lookout where it is incredibly dark—and windy. Uncle Joe says, “Please don’t wig out. If you tink you going to wig out, please stay in the van.”

I guess everybody figures they’re not going to wig out because we all get out of the van. Except for Uncle Joe’s assistant, who is directed to stay in the car and keep the motor running, “Just in case we gotta get outa here fast.”

As Uncle Joe leads our group up the Pali Lookout, chanting and shaking ti leaves at the trees where he thinks he’s spotted some of da Night Marchers, which would be the Hawaiian chiefs who were killed here in a very bloody battle years ago, his assistant calls on a two-way radio to inform Uncle Joe that the van engine has mysteriously died and he can’t restart it.

“Please don’t wig out!” Uncle Joe tells us.

Fortunately, none of us wig out.

Then Uncle Joe commands all of us to stop. He’s hearing the Night Marchers coming up over the cliffs towards us (I’m hearing the famed Pali winds blowing through the trees, but that’s just me).

“Who got da ghost meter?” Uncle Joe asks. The ghost meter—a plastic electromagnetic device that clicks like a Geiger counter at Chernobyl, particularly when we get close to overhead transmission lines, is produced and Uncle Joe uses it to wand us like airport security. The ghost meter goes crazy as Uncle Joe runs it up and down the body of a particularly curvaceous member of our troupe.

“Da ghost right here!” Uncle Joe says. And then he instructs us all to step back while he performs a private exorcism around the woman, brushing her with his ti leaves and chanting. He runs the ghost meter around her again and this time it is silent.

“I tink he left,” Uncle Joe tells the woman. “But just to be sure, maybe you should hold my hand while we walk.”

And so Uncle Joe gets the girl. I told you those Menehune were clever little guys.  

Tags: , ,

Oh, honey, let’s take a picture!

There’s something extremely celebratory about Honolulu. For instance, I’ve never been anyplace in the world where visitors are so zealous about taking photos documenting every single thing they do.

At dinner last night at Ciao Mein, these three young gorgeous Japanese women with gardenias in their hair snapped pics of each other holding out their mai tais as if they were Oscars while across the room a pasty elderly Scandinavian man took shot after shot of his flushed, chubby wife vainly attempting to mimic the figure eight moves of a hula dancer. I don’t think there was a single table in the restaurant (and this is a very elegant, very expensive restaurant) where someone wasn’t taking photos—of their drinks, their giant Tiger prawns, even of the cute wait staff.

photos by David Lansing

photos by David Lansing

If you’re in Paris, yes, you grab a quick photo of you in front of the Eiffel Tower or Notre Dame. But you don’t dare snap photos inside a restaurant. Or get your boyfriend to take a shot of you hugging a long-pole fisherman on the Seine. But on Waikiki, the lifeguards get so many requests to have their photo taken with some cute Gidget that they practically hide in their lifeguard towers.

The other thing is that in places like Rome or Toronto, you go to a nice restaurant and you see a lot of glum, silent couples on holiday doing what I call “This-marriage-is-so-over” vacation routine, which includes getting dressed up and going out and then not saying a single word to each other.

But not, for some reason, in Honolulu. Forever-married couples in outdated outfits and dorky haircuts seem honestly thrilled to be here—and with each other. They get all excited sitting on a bench on Waikiki watching the sun set. And that enthusiasm can be oddly infectious. It makes me happy for them; it makes me happy to be here as well.

Tags: , ,

I’m one of those people who gets annoyed when people make a big deal out of my birthday and even more annoyed when they ignore it. So yesterday when I got an e-mail from Babs, a friend in California, wishing me happy birthday, I  thanked her by whining about how the night before, for dinner, I’d gone to the ABC store and bought a bottle of Meridian Merlot and a box of Chip & Cookie Hawaii chocolate chip cookies. “It will be tough to top that for a birthday celebration.”

I know. What a martyr, right?

So Babs writes back, “Well, happy depressing birthday! This is your assignment today—to get someone to sing a Hawaiian version (or any version) of ‘Happy Birthday’ to you.”

Yeah, right. I’m going to ask some stranger to sing happy birthday.

Anyway, I’m out at the KoAloha ukulele factory and I’m just about to leave when the owner, Alvin “Pops” Okami, tells me how his son, Paul who is the company luthier and makes KoAloha’s custom ukes, is in San Francisco on business, which makes Pops a little sad because it’s his birthday and birthdays are a big thing for the KoAloha ohana, or extended family, and Paul is going to miss that and so is Pops.

Well, would you believe, I tell Pops, that today is my birthday?

“No!”

photo by David Lansing

photo by David Lansing

I pull out my driver’s license and show him. Which is when Pops grabs a ukulele off the wall and spontaneously starts singing “Happy Birthday.” And his wife, Tricia, and a couple of KoAloha employees join in. I felt like I was coming down with something all of a sudden because my throat got all tight and my eyes started to water.

“You ever play the ukulele before?” Pop asked me.

“Not really.”

“You should learn,” he said. And he handed me the ukulele he’d just been strumming. As a gift. I didn’t even know what to say. But I think it may have been the nicest birthday present I’ve ever gotten. And it came from someone who was basically a stranger.

True aloha.

 Totally by coincidence, a documentary film maker from Philadephia, Gary San Angel, had been filming while Pops was giving me a tour of the factory and he caught the whole Happy Birthday ukulele serenade on tape. So here it is. Just so Babs will know that I’m not making this stuff up. And that her birthday wish for me really did come true.  

David Lansing at KoAloha Ukulele on his Birthday from Gary San Angel on Vimeo.

Tags: , , ,

As much as I dig the foodie aspect of the Kapiolani Community College Farmers’ Market, I’m also envious over the flowers. Envious because locals come here and walk away with boxes of orchids, like phalaenopsis, for about $8 each when I’m happy to pay $15 or $20 at home.

photos by David Lansing

photos by David Lansing

And if they have half a clue as to what to do with them, these gorgeous butterfly orchids (which are easier to grow than roses, particularly in this climate) will not only bloom for years but, with just the slightest bit of care, can easily flower twice in a season. What a bargain compared to cut flowers which you stick in a vase and you’re lucky if they still look good a week later.

But what really amazes me are the cattleya. Now that’s a temperamental orchid. I’ve got eight or nine in my greenhouse but I don’t think any of them have ever bloomed. Then you come to the farmers’ market here and they’re like $20 for a gallon-sized plant. That would be a good $50 or $60 most places.

While I’m most enamored with the orchids, there are so many other beautiful flowers here, such as the almost-obscene looking anthuriums, known as “the hearts of Hawaii,” which come in every shade of red as well as green, purple, orange, white, and a golden yellow (they say there are over 500 species of this tropical). Or the fragrant gingers which you can crush in your hand and they bounce back unfazed.

People were walking out of here with big bouquets of proteas, which look like colorful artichokes to me, and various heliconia, or lobster-claws, whose waxy bracts look resembles the plumage of tropical parrots.

And it was almost impossible to find a bouquet costing more than $5 or $6—what a steal! 

Tags: , , ,

« Older entries § Newer entries »