Honolulu

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Honolulu foodies’ market

When I woke up Saturday morning, I started having second thoughts about going out to the farmers’ market at Kapiolani Community College. For one thing, the day was gorgeous and I kind of felt like just throwing on my swim trunks and going for a long swim. For another, the market is far enough from Waikiki that it would necessitate driving, which meant getting my rental from the valet and that whole hassle. But I kind of kicked myself in the ass and took a quick shower and humiliated myself into going by calling myself a lazy ass.

It was a good decision. I’ve been to farmers’ markets all over the world but this has to be one of the best. Even though there’s really not all that much in the way of fruit or veggies. It’s more about the food. In fact, they should probably call it the Honolulu Foodies’ Market to better reflect the experience. Absolutely everything here has to be grown or produced in Hawaii, which is very cool.

photos by David Lansing

photos by David Lansing

The thing to do is to make a circuit of the market and check out the vendors, kind of letting your nose and your eyes guide you, before you start eating. Otherwise, it will be like loading up on the rolls and potato salad at a buffet bar before you get to the prime rib table.

If you’re going to have breakfast here (and you’d be crazy not to), you have to decide whether to pace yourself and go with some finger food like a little mangobread or sweet potato Danish or go for something heartier like fried rice with Portuguese sausage.

My head told me to grab a cup’a Kona from Koko Crater and a banana muffin from Happy Cakes, but then my heart (or was it my stomach?) spotted the Styrofoam containers of food fronting Hawaiian Style Chili Co. Kim chee fried rice, kalua pork, taro mochi. In the end, my gut over-ruled my brain and I got the loco moco chili—a big scoop of chili on a mound of rice, topped with a fried egg.

Plenty ono grinds, brah. 

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Winnah of da winnah pizza

Here’s what you do at the Kapiolani Community College Farmers’ Market: you walk around until you find some good grinds, sit and chow down, then walk around looking for something else to eat. Repeat until full.

I didn’t even try to finish my loco moco chili. Way too much starch and carbs. What was I thinking? I needed to cleanse my palate. So I wandered over to Two Hot Tomatoes to have some of Barbara Sant’Anna’s fried green tomatoes.

photos by David Lansing

photos by David Lansing

Frankly I’ve never been a big fan of fried green tomatoes (okay, the tomatoes are green and there’s just something unappealing about that, and, secondly, the crust is always mushy), but Barbara’s secret trick is to fry the tomatoes in a panko breading so they come out crunchy and airy. More like tempura.

Those were good (although, again, I didn’t bother to try and finish the whole thing). Then, after grabbing a fresh gingerale lemonade from PacifiKool, made from their Hawaiian-grown ginger syrup, I got in line at the North Shore Farms booth for a slice of Jeanne Vana’s pesto Neapolitano  tomato and mozzarella pizza. Probably didn’t need this since I still hadn’t digested the loco moco chili (if, in fact, that’s even digestible) or the fried green tomatoes, but what the hell.

There are two things that make North Shore Farms pizza winnah of da winnah (best of the best): Jeanne’s Waialua Big Wave tomatoes, which she grows only in winter on a 10-acre farmer’s co-op on the North Shore on land that used to be a sugar plantation, and her pizza oven—which is actually just a portable gas bbq grill.

Jeanne calls her pizza Neapolitano, probably because, like a true Neapolitan margherita pizza it’s made with just four ingredients: tomato, mozzarella, basil, and olive oil. But Jeanne’s bbq’s don’t get hot enough to turn out a true crispy crust (a true Neapolitan pizza gets cooked in a 900° stone oven for less than two minutes). So while her crust is a little more limp than I like, the Big Wave tomatoes are unbelievable. A true loco moco pizza. 

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The God of Aloha

If I took the pineapple wedge out of my mai tai and chucked it off my lanai on the 27th floor of the Hyatt Regency Waikiki (which, of course, I would never do), with just a little luck I’d tattoo the bronze head on the lei-draped statue of Duke Kahanamouku who, it seems to me, holds more mana, or spiritual power, than any kahuna, past or present, in all of Hawaii. Despite the fact that The Duke, known as the “father of modern surfing,” died 31 years ago last month.

photos by David Lansing

photos by David Lansing

It’s amazing how many people I’ve watched sidle up to The Duke and touch his bronze legs shyly or lewdly or reverentially, depending on their persuasion, just about every hour of the day and night.

When I first saw the throngs of people having their photo taken while standing next to him, I figured he was just the Mickey Mouse of Honolulu; a popular icon whose photo proved to the folks back home that they’d really been to Waikiki.

But I think there’s more to it than that. The Duke is the real “Ambassador of Aloha.” Not the aloha of hello and goodbye but the aloha of love, compassion, kindness, grace—the aloha of life.

That’s why you see so many people—particularly women—bring fresh flower leis every morning and put them on his outstretched arms. That’s why every Gidget and Grem from Toledo wants their mom or dad to take a photo of them standing next to The Duke.

He’s not a Hawaiian Mickey Mouse; he’s a Hawaiian god. The god of aloha.

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How does a coconut bra work?

When I went to check in to the Hyatt Regency Waikiki late yesterday afternoon there were hula dancers and fire-eaters in the lobby. Is this an everyday occurrence? I have no idea. But it was kind of cool. And mesmerizing. I mean, how do those hula girls keep everything safely inside a couple of glossy coconut shells? And doesn’t it chafe? It just doesn’t look really comfortable, you know? But definitely intriguing.

I made the mistake of giving a big smile to this one beautiful Hawaiian hula dancer who smiled back and then came over and grabbed my hand, trying to drag me over so I could join in a group hula lesson.

photos by David Lansing

photos by David Lansing

Not happening. As cute as she was, I wasn’t going to stand in front of a bunch of tourists from Des Moine and let her show me how to make figure eights with my hips.

So I made my way over to the fire-eater thinking if he wanted to show me a few tricks, I’d be game. Who doesn’t want to learn how to eat fire?

This guy was awesome, not even blinking when he dropped the fire stick on his foot and the little grass spurs on his legs caught on fire. But what I thought was really cool were his tattoos. Loops of script running around his neck and elaborate patterns covering his back and then swooping down his love handles towards his private areas. That’s got to hurt, right?

But the poor guy got no respect. Eating fire just pales next to a young girl with very long dark hair shaking her coconuts. Literally.

Like everybody else, I just stood there staring and smiling until the show was over. I just wish I’d had the courage afterwards to go over and ask her how they worked.  

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Aunty’s poi at Ono Hawaiian Foods

I’m in this surf shop in Honolulu buying t-shirts when I start to feel a little hungry so I ask the two Gidgets working there where I should go for dinner, telling them I don’t want any fancy tourist place, but someplace simple. And local. A place, maybe, where they eat all the time.

“Oh, I know!” says Gidget One. “There’s a Subway a block away.”

No, I tell her. Not a Subway. “Someplace with Hawaiian food. But not a tourist joint.”

Gidget Two says, “Pizza Hut across the street has a Hawaiian pizza.”

Screw it. So I did what I usually do. I just started walking. Away from Waikiki. Past Kapiolani Park and the zoo, up Kapahulu Avenue, looking for someplace, anyplace that looked half way interesting.

There were a couple of sushi places that looked promising but I wasn’t really in a sushi mood. So I just kept going. Past a barbecue place that would have been a contender if it hadn’t been closed (I’m a sucker for barbecue). Until I came to this total hole-in-the-wall joint called Ono Hawaiian Foods.

photos by David Lansing

photos by David Lansing

The place was cramped and crowded (though it was only 5:30) but I got lucky because a couple had just finished their meal when I walked in. So I grabbed their spot. The place was fascinating. The walls were plastered in headshots of mostly forgotten Hawaiian performers and beauty queens as well as stuff like a poster for “The Ultimate Honolulu Event,” a concert back in the 80s by Sammy, Liza, and Frank “in person at the Blaisdell Arena.”

On one side of me were three Japanese women taking photos of each other as well as every dish brought to the table by a waiter wearing a soiled Honolulu fish canning baseball cap. On the other side were a couple of GenX backpackers, the guy wearing a rainbow tie-dyed Crosby, Stills, Nash & Young concert t-shirt.

Basically, unless you ordered ala carte, it appeared there were only three choices at Ono (which is Hawaiian for “delicious”): the Chicken Long Rice Plate, the Laulau Plate, or the Kalua Pig Plate (you could also get a combo plate but that just seemed like cheating).

Still thinking about the barbecue place I’d passed that had been closed, I went for the kalua pork which also came with some pipikaula, a sort of Hawaiian beef jerky, lomi salmon, and either rice or poi. Had to go with the poi. Aunty brought my food, dished up in old melamine bowls and plates, out of the kitchen on a cafeteria tray. It felt a little bit like being back in junior high school.

I asked her if I could get a beer. “No beer,” she said, “only Pepsi.”

“Okay,” I told her, “I’ll take a Coke.”

“No Coke. Only Pepsi.”

Frankly, I’m not crazy about poi but, as you know, I have this philosophy which is Wherever you are, you have to eat the goat. The goat in Honolulu is poi. Despite the name of the restaurant, the purple-gray poi served at Ono was not delicious. It left my tongue feeling kind of tingly. Like when you were a kid and you’d stick a D battery on your tongue (surely I’m not the only one in the world who used to do that).

Seeing that I had pushed my poi to the side, Aunty came over. “You don’t like my poi?” she said.

Now she was making it personal. It was her poi.

“It’s good,” I lied, “I’m just really not a big poi fan.”

“Ah,” she said, somewhat satisfied. “How long you in Honolulu?”

Two, three weeks, I told her.

She shook her head in discouragement. “Not long enough to learn to like poi,” she said, walking away.

She came back a few minutes later with a bowl of haupia, a type of coconut pudding. “On the house,” she said, sliding it across the Formica table at me.

I thanked her and dug in. It was worse than the poi. But I ate it all anyway. Just so Aunty wouldn’t bring anything else out to the table. 

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