There was this article last month in the New York Times about a restaurant here in Santiago called Hosteria Doña Tina that said if you want to sample “the hearty, rustic specialties that are considered true Chilean cooking, this sprawling place on the outskirts of the city is surely the best choice.”

Well, here I am in Santiago searching for “true Chilean cooking” (as well as a good terremoto, which I still haven’t found) so of course I had to make my way out to Doña Tina for dinner. I mean, if Florence Fabricant of the NY Times says this is the place to sample Chilean cuisine, it must be good, right?

Photo by David Lansing

Photo by David Lansing

But before we head out to Doña Tina, I have to tell you how much I love the Ritz-Carlton (and, no, I don’t get anything for plugging them). They just always do things right. I just moved over there yesterday from the San Cristobal Tower and while that hotel was nice, the Ritz-Carlton is on a completely different level. I mean minutes after I’d checked in, Branko Karlezi, their director of public relations, calls me in my room to make sure everything is okay and see if I need anything.

“I just have a quick question for you,” I say. “Do I need to make a reservation for Doña Tina? And how long of a cab ride is it?”

Branko says, “What time would you like to dine?”

“About nine?” I venture.

“I will take care of it,” says Branko. “A house car will be ready for you at 8:30.”

I told him there was no need for that, that I’d be happy to grab a taxi. I was just wondering how long it would take me to get out there.

Well, that’s the problem, said Branko. “The restaurant is really out in the countryside and it can be difficult to find a taxi to take you that far out and even more difficult to find one to bring you back. So, please. We would be happy to provide you with a car and driver.”

Now that’s a hotel.

So anyway, my driver, Juan Carlos, picks me up at 8:30 and we drive and drive and drive until I’m sure I’m being kidnapped and taken to Peru. We go up windy hills and through heavy woods with nary a sign of any civilization until suddenly here we are: at Hosteria Doña Tina. As Ms. Florence Fabricant of the NY Times says, it’s a sprawling place. There are cavernous rooms to the left and a big open room with a fireplace in the middle to my right and more rooms beyond that.

However, there are no diners. Zero. Zilch. Just three guys sitting on stools behind the bar watching a soccer game. When I walk in they barely take their eyes off the TV. Finally, one guy comes over and asks what he can do for me. I tell him I’m Mr. Lansing and I have a reservation for nine.

He shrugs at this news and swings an arm over the dining room, telling me to sit wherever I want. So I take a seat near the fireplace just so, you know, it won’t feel so lonely.

A few minutes later the guy comes back with a menu and asks me if I’d like something to drink.

“A terremoto,” I tell him.

He shakes a finger at me. “No terremoto,” he says. “Pisco sour.” And without waiting for my response, he heads back to the bar and the soccer game.

The pisco sour he brings back is, quite simply, horrendous. Like a margarita made with really bad sweet and sour mix and cheap tequila. I take one sip, push it away, and ask him to bring me a glass of red wine instead.

“No,” he says. “No glass of wine.” They only sell bottles. So I order a bottle of carmenère, the signature Chilean wine that, until the late 1990s, was thought by the Chileans to be merlot. The guy opens the bottle of wine while looking over his shoulder at the TV in the bar and hurriedly fills my glass so high that it is impossible for me to pick it up without spilling all over the white tablecloth, so I lean over and take a sip from the glass while it’s still on the table.

It is—how do you say?—corked.

Huele como perro mojado,” I tell him. It smells like wet dog.

My Spanish, I admit, is horrible and my Chilean Spanish even worse so perhaps I did not say exactly what I meant to say. Always a dangerous thing when speaking in a foreign language about dogs and bad things. Which probably explains why the waiter turned his back on me and immediately disappeared into the kitchen.

To be continued…

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Pablo Neruda was, by any definition, an odd man. A flamboyant life-long diplomat (his last posting, under Salvador Allende, was as Chile’s ambassador to France) who was a rogue and, by his own description, a bit of a child. From his autobiography: “I have built my house like a toy house and I play in it from morning till night.”

Photos by David Lansing

Photos by David Lansing

Walking around La Chascona, you can see what he meant. Although Neruda was both fascinated and fearful of the ocean, he decided to build the main part of the house like a ship. Many of the windows are portholes and the rooms are long and narrow, just as they’d be on a boat. I’m sure if he could have found a way to actually rock the narrow dining room, where he hosted dinner for friends and diplomats, he would have (although the creaking wood floors, taken from an old ship, give you a bit of the same effect).

Still, he did his best to add a bit of Disney imagination to everything (he and Walt would have gotten along famously, I’m sure). For instance, our guide Alejandro showed us the Dutch-looking ceramic salt and pepper shakers he had specially made to use at dinner parties when he was bored with the company. The salt shaker says “Marijuana” and its pepper cousin reads “Morphine.”

“He would casually put them on the table at the beginning of the meal just to outrage guests that he didn’t particularly like, hoping they’d go home early,” Alejandro told us.

Neruda's house as seen from the street.

This was back in the 50s, mind you, so I’m sure it had the proper effect (can you imagine an ambassador to France doing something similar these days?). And, in keeping with the “toy house” theme, he had a secret door built into the back of the china closet leading to his private quarters. That way, if he was really bored, he could quite simply vanish from the room.

Of course, Pinochet, like any right-wing dictator, was less than enamored with this poet/diplomat who won the Nobel Prize in 1971 while his buddy, the Marxist Salvadore Allende, was president.

So one of the first things Pinochet did following the military coup in early September 1973 was to send thugs up to loot La Chascona. They burned down his office and library and gathered Neruda’s books and letters, burning them in a public display. As if to say, we don’t give a rat’s ass that he is a great Chilean artist who has won the Nobel prize. He’s still a pinko commie, so fuck him.

Two weeks later, Neruda, ill from prostate cancer, died from what most say were complications of the disease. But his wife, Matilde Urrutia, always insisted he died of a broken heart. Pinochet allowed only his family and a few friends to attend his funeral. His body was taken from the poet’s house, where it had been lying in state, by Matilde and Pablo’s sister. The small procession—maybe a dozen at most—moved slowly down the street but as word began to spread that the coffin carried Pablo Neruda, more and more mourners fell into line.Until the procession stretched for dozens of blocks, overwhelming the military presence on hand as they shouted “Neruda y Allende, un solo combatiente” (Neruda and Allende, one fighter)! to the capital’s General Cemetery where Matilde said her final good-by.

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On a whim, I stopped by the Museo Neruda, better known as La Chascona, the odd treehouse-like Santiago home of Chile’s most famous poet, Pablo Neruda. I had been wandering around the neighborhood of Bellavista looking for a little shop Liz had told me about, Emporio Nacional, hoping to buy some merken or perhaps a bottle of Chilean olive oil (which is quite remarkable) only to find that the store was closed. Rather than immediately take a taxi back to my hotel, I decided to wander around the neighborhood and quite by accident came upon La Chascona.

Photos by David Lansing

Photos by David Lansing

Only a handful of people are allowed through the house cum museum at a time and usually you need to make a reservation at least a day in advance, so I was half expecting to be turned away when I showed up and asked if there was any way I could join the next English tour. It just so happens one was just starting up and I was permitted to join a South African couple.

Our guide was a young college-aged woman named Alejandro. In the courtyard behind the main part of the house, she told us that Neruda moved to La Chascona in 1955 with the woman who was to become his third wife, Matilde Urrutia, while still married to his second wife, the painter Delia del Carril. La Chascona was Neruda’s nickname for Matilde and referred to “her rebellious red hair.”

Then Alejandro took us inside one of the buildings, constructed like a lighthouse, to look at a painting by the Mexican artist Diego Rivera (Frida Kahlo’s husband) called “Medusa Matilde.” According to Alejandro, Neruda quite liked the painting; Matilde, not so much. Which is understandable considering that in Greek mythology Medusa is a beautiful maiden with the ability to turn men into stone.

A decade or so before Rivera painted Matilde as Medusa, Sigmund Freud wrote an article suggesting that Medusa was the “supreme talisman who provides the image of castration.”

Was Revera aware of this Freudian interpretation? Impossible to know. But, according to Alejandro, not everyone was thrilled when Neruda abandoned his painter wife (who was a decade older than him) and took up with the much younger Matilde, a singer. One of the more interesting things about the painting is that Rivera hid the profile of Neruda in the unruly hair on the right side of her head. I don’t know how well you can see it in this photo (which I had to take on the sly since it is forbidden to photograph inside the house), but if you move in a straight line from the eye on the right, you’ll see his lips and from there it’s not hard to make out his chin, protruding nose, and a single eye.

Whether Revera was a fan of Matilde or not, she was definitely an important muse to Neruda. Probably his best-known book of love poems—One Hundred Love Sonnets—was written for her (though he withheld publication for a number of years to spare the feelings of his previous wife).

It sounds like Mark Sanford, the governor of South Carolina who recently admitted to having an affair with a woman from Argentina, also has a poetic streak. From one of his e-mails released last week: “I could say that you have the ability to give magnificently gentle kisses, or that I love the curves of your hips, the erotic beauty of you holding yourself in the faded glow of night’s light.”

He’s no Neruda but he’s definitely a romantic.

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There are some things I just don’t get. Like meringue. Is there anything more insipid than lemon meringue pie? I don’t think so. Which explains why I wasn’t exactly giddy when Liz suggested we stop in at this little pasteleria across from Parque Forestal in Barrio Lastarria known for their merenguitos which are basically whipped egg whites and sugar baked into a puffy cookie.

Oh but these merenguitos, made by hand by the owner of Pasteleria Robymar, Maria Luisa Barbieri, are amazing Liz insisted. “They’re like marshmallows on the inside but with a crisp crust and the whole thing has this nutty flavor.”

See, this is why I don’t do dessert. A crispy, nutty-tasting marshmallow cookie? Big deal. Just give me a really good piece of chocolate instead.

But we go in and I meet Maria who is tall and thin (obviously she doesn’t eat her own pasteries) and quite charming. She’s been making merenguitos and pino, or meat, empanadas here for 45 years she tells me and never grows tired of the work. “The young girls I hire to help me make merenguitos can’t keep up with me,” she says. “Maybe I’m almost 80 but it doesn’t matter. Me, personally, I think I’m aging backwards because I feel twenty.”

Maria Luisa Barbieri and her merenguitos. Photo by David Lansing.

Maria Luisa Barbieri and her merenguitos. Photo by David Lansing.

Maria offers me a merenguito and just to be polite I take a tiny little bite and…oh my god! It’s the best thing ever. What Maria does is spread the meringue on a very thin cookie wafer and then tops it with another cookie wafer spread lightly with lúcuma and manjar which is a bit like Nutella but better. Lúcuma is a subtropical fruit, usually grown in the cool highlands of Peru and Chile. It’s got an orange-yellow flesh, kind of like a mango, and a very unique flavor that is difficult to describe. You just have to taste it. In Chile you’re most likely to come across it in ice cream where it is a more popular flavor than vanilla or chocolate.

Chileans also like to mix lúcuma paste with manjar which is like dulce de leche. The combination of lúcuma and manjar to a Chilean is like peanut butter and jelly to Americans. And put it on top of Maria Luisa Barbieri’s merenguito and you’ve got yourself one kick-ass cookie. Which is why I bought six more. Which Liz and I finished before we even got back to her apartment in Bellas Artes.

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As Liz and I were walking through the Mercado Central I told her how the concierge at my hotel said I couldn’t say I’d been to Santiago until I tried a terremoto, that elusive Chilean cocktail (I still haven’t had one). Then I asked her how she’d answer that question—If you’ve been to Santiago but you haven’t had a (blank), you haven’t been to Santiago.

“Oh a completo,” she said. “You definitely haven’t been to Santiago until you’ve had a Dominó completo.”

Okay, before I explain about completos and Dominó let me just say that the closest American comparison to both would be a Big Mac at McDonald’s, and I haven’t been inside a Mickey-D in over 20 years. Just not my thing (besides, I’ve always hated clowns and Ronald definitely creeps me out).

But the completo is not a hamburger. It’s a Chilean hot dog. Sort of. Actually, it’s a bun of mayo and mushed avocado piled on top of a sliver of weiner. Remember I said that Chileans think mayo is a food group? This may be the best proof of that theory. But, you know, I have this philosophy about travel which boils down to, Wherever you go, you have to eat the goat. And since Liz says that I haven’t been to Santiago until I’ve had a completo, the goat today is a Chilean hot dog at Dominó.

The hot dog doctors at Domino. Photos by David Lansing.

The hot dog doctors at Domino. Photos by David Lansing.

There must be two hundred Dominós in Santiago. Okay, maybe it just seems that way because everywhere you go, there they are. They’re meticulously clean (which is true for most fast-food joints in Santiago). And just as all the servers at Fuente Alemana are women, at Dominó they’re all men. Dressed in long white gowns with deep pockets in the front so that they look more like medical assistants than waiters (I think they should put stethoscopes around their necks).

So Liz and I go into a Dominó and order a completo. The waiter takes my order and, without turning around, yells over his shoulder to the cook, “Italiana, maestro.” Why Italiana? Because it has chopped tomato, avocado, and mayo on it—red, green, and white, the colors of the Italian flag (also the colors of the Mexican flag but I guess they figured it didn’t sound as much fun yelling, “Mexicana, maestro.”)

Liz with a completo (not healthy) and carrot juice (healthy!).

Liz with a completo (not healthy) and carrot juice (healthy!).

Anyway, the other thing that kills me about Dominó is that they have these wonderful milk drinks with mango or chestnuts and fresh squeezed juices, the most popular being a blend of orange and carrot juice which is just so healthy tasting that your blemishes seem to clear up after drinking a glass. So of course, Liz orders a completo, which will double her cholesterol level the minute she puts it in her hand, and a fresh-squeezed glass of orange and carrot juice to somehow do a negative ion thing in her body to reverse the 640 calories she’s about to eat so that somehow she’ll actually lose 5 pounds from eating the weiner. Or at least that’s what we tell ourselves.

I take a bite of my completo. I’m sure there’s a hot dog in there somewhere, but I can’t see it and I don’t taste it. All I taste is a big mouthful of slippery avocado and sweet mayo. One bite and I’m done. (When I said you have to eat the goat I didn’t say you had to eat the whole goat.) But, hey, that orange/carrot juice is great. So great that I decide to get another (plus the roof of my mouth still feels coated in mayo fat). And while I am gone, a homeless lady steals my completo.

The perfect ending as far as I’m concerned.

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